Guysonic wrote: "Sony mic preamp is very quiet with no low or high frequency garbage, while the R09HR has low frequency mic power noise, and lots of very low level high frequency 1K Hz spread hash noise best avoided with use of external preamplifier if this really matters to you."
I've read the graphics (as I can understand) on sonicstudios.com and in the sony d-50 thread here: undoubtedly the difference in mic in performance of R09HR and D-50 in terms of noise is a matter of fact, while line in shows not a big difference to me.
The question is: using R09HR with an external self powered mic (AT8022, Rode nt4 or something externally phantom powered), so in PIP off mode, is there still much audible noise in recording classical music concerts, with mic(s) placed between 50 cm and a couple of metres
in case of ensembles?
In another post ("recording choice") I posed some questions,and I don't want to hammer you all again, but one seems to be important to me to understand the balance-unbalance issue. In case of AT8022 or Rode Nt4 or my old broken Sony ECM 979 which all have balanced outputs somebody suggested me to use two Shure A95 Uf line matching transformers (femaleXLR to 1/4 jack) in order to unbalance the mic and go into the deck. I was told that it is much better than simply using an adapter cable (5pin balances to minijack).
Is this true?
thank you again