« Reply #1 on: October 21, 2004, 02:51:12 PM »
Having own and ran both TLs and KM140s...they both have their benefits, but in an ideal situation, I'd have to give the KM140s the advantage.
I've got a couple of shows from the same venue in the same location done with TLs and 140s if you're interested. Granted they're different shows...but otherwise they're both done with mics>V2>SBM1 in the exact same spot/heighth etc. One's Dickey Betts 6.10.04, the other's My Morning Jacket 6.20.04, both FOB/DFC 8' from the Exit/In in Nashville
As for KM140/KM184 comps...it's my general understanding they're the same mics with the exception of the 140's active cable option.
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Right now nothing...in the past: Schoeps CMC6, AKG 480, AKG 460, AKG 414, MBHO 603a, Neumann KM100, ADK TL>Schoeps MK4, Schoeps MK2, Schoeps MK41, AKG ck61, AKG ck62, AKG ck63, Neumann AK40, Neumann AK50, MBHO ka200>Lunatec V2, Lunatec V3, Apogee Mini-Me, Oade M148, Oade M248, Sound Devices MP2, Sonosax SXM2>Sony (mod)SBM1, Apogee AD500>D7, D8, D100, M1, R1, R4, R09, iRiver HP120, Microtrack