I just have to chime in that I encountered a very similar situation earlier this summer, taping a loud rock concert in a large arena in San Antonio. I was sitting near the back of a section similar to 210, and as it turned out, another taper (running the same type of cardioid mics that I was, coincidentally) was taping from a section similar to your 416. In this case, some of the large flown speakers were actually pointed sideways/diagonally out from the stage, in addition to the main stacks pointing directly out. As a result, I prefer his tape, because he was basically twice as close to the sound source compared to me.
So if you can't secure a floor ticket, I'm going to contradict most of the answers here and go with 416, based on that actual experience.