In post I tend to do the following.
1 - remove the very lowest frequencys with a high-pass filter. Depending on the music, 20 or 30 Hz. Generally no music down there anyway, just muck.
2 - increase levels to a comfortable level. I do this in my computer program that runs internally at 32 bit float, so overs are never a problem inside the program. Of course overs, clipping that is, will be a problem if they are exported from the program, that is why step 3 is there.
3 - last in the chain in my program I put a limiter set to -2dB. This avoids any clipping in playback. Doing the limiting inside the program I get control of whether it will be heard or not.
The program I use is Samplitude, but similar things are available in many other programs. As a low cost solution I can recommend Magix Audio Studio deLuxe if you are on PC platform. It costs a bit more that Audacity (which is free) but the difference is worth it (to me at least). To each however, his own favourites.
Now for the other things I might do, depending on situation.
- different volume setting on songs vis applauds from the crowd. Sometimes, the applauds can be louder than the music, well, on the finished product it is better the other way round.
- cutting up in nice pieces as CD tracks, ie removing dead periods between songs.
- very gently EQ to compensate for room modes -- this takes very good listening equipment, otherwise I might compensate for the errors at home, not what you want to do.
A bit of work to get to know how to use the program (and to get the right program) but there really is an advantage to a bit of after-the-recording polishing.
Gunnar