Topic: Using Schoeps 4V and 41V with B5D

[johnw]

I just became aware that Schoeps has revised its position on using these capsules with the B5D windscreen.

The new description reads "Although it has not been designed for that purpose, it is possible to use it on the MK 4V, MK 41V or MK 4VXS microphone capsules and the corresponding CCM Compact Condenser Microphones. The microphone’s slight inherent high-frequency emphasis is then compensated for."
http://www.schoeps.de/en/products/b5d

The old description (now gone from Schoeps website) read "The B 5 D cannot be used with side-address transducers such as MK 4 V, MK 41 V, MK 6, or MK 8 capsules, or with CCM 4 V, or CCM 41 V, or CCM 8."
http://www.posthorn.com/S_pops.html#b5d

So what gives? Did Schoeps change the design of something or are they just saying that the B5D will turn the 4V and 41V into a sideways 4 and 41 (no high freq bump)?

I know that people use to modify the B5D by cutting out a bar on the plastic surrounding the capsule to use these with the 4Vs. I always assumed the old warning was because the bar would block the capsule.

DSatz any comments would be welcome...

[kingkita]

John I cut my basket out, i cant tell a difference if it knocks anything off on my 41V or 4V, what plastic is left is only at the bottom of the windscreen.Ive ran both caps with dpa windscreens and i can tell the dpa do knock some high end off sometimes.

[F.O.Bean]

John I cut my basket out, i cant tell a difference if it knocks anything off on my 41V or 4V, what plastic is left is only at the bottom of the windscreen.Ive ran both caps with dpa windscreens and i can tell the dpa do knock some high end off sometimes.

Ive been using large DPA and bigass shures screens since 1999, and I have never noticed any highend rolloff on my recordings.

CK, maybe it was just because your mics are muddy sounding

[stevetoney]

I have no idea if this is the right answer, but I suspect the 'what gives' was simply Schoeps taking a hard line on specs with and without the screens but at some point they realized that saying you 'cannot' use these screens was giving out incorrect information, since the screens obviously can be used for the more important purpose of cutting down on wind noise.  The new words more accurately reflect that the screens can be used, but there's apparently some compromise on the original capsule specs (although whether that's a bad thing is purely subjective).

Bean, I think the reason we don't notice a difference with the screens on is because we don't do an a vs. b comp.  I'm pretty sure if we comped our recordings with and without the Big Ass Shure's we'd hear some hf differences between on vs. off.  I don't think those differences ever mean the difference between a good sounding vs. bad or muffled sounding recording though, even though all Schoeps recordings are of course muddy sounding.

[Jonas Karlsson]

even though all Schoeps recordings are of course muddy sounding.

I've heard this for a while - what exactly do you mean by this?

/Jonas

[stevetoney]

^ I should have included the smiley face....it's a joke. 

There are lots of guys that say they think Schoeps sound muddy.  I'm not sure if they're serious or not because it's gotten to the point where it's hard to tell if someone is serious or not when they say this.  I know I have heard recordings made with Schoeps that really are muddy sounding...but there's no telling if those were due to the mics or the other gear in the chain (noting of course that even Schoeps can overload in the right conditions). 
So the Schoeps owners, rather than arguing, just say how much we like muddy sounding tapes.   

EDIT TO ADD:  Page explains why in his post below.  Well said Page.

[page]

even though all Schoeps recordings are of course muddy sounding.

I've heard this for a while - what exactly do you mean by this?

/Jonas

lack of a presence peak on the mk41 and mk4 caps and a slower bass roll off than some other caps. Combine that with a bass heavy PA mix and you can end up with "muddy" tapes unless you EQ them or use brighter gear down the chain.

[stevetoney]

Page...was ^this^ the reason Schoeps put the presence 'bump' in the MK5 and MK4V capsule (not sure if the MK41V also has it, or I'd have included that in the question too)?

[page]

Page...was ^this^ the reason Schoeps put the presence 'bump' in the MK5 and MK4V capsule (not sure if the MK41V also has it, or I'd have included that in the question too)?

the mk5 I dunno, but I thought the 4V is intended to improve speech recognition. (Ssss sounds are accentuated by bumping the 8-10khz range). I think the mk5 bump is a byproduct of the design, not necessarily an intended effect. Paging DSatz, cleanup on aisle 3....

[F.O.Bean]

^ I should have included the smiley face....it's a joke. 

There are lots of guys that say they think Schoeps sound muddy.  I'm not sure if they're serious or not because it's gotten to the point where it's hard to tell if someone is serious or not when they say this.  I know I have heard recordings made with Schoeps that really are muddy sounding...but there's no telling if those were due to the mics or the other gear in the chain (noting of course that even Schoeps can overload in the right conditions). 
So the Schoeps owners, rather than arguing, just say how much we like muddy sounding tapes.   

EDIT TO ADD:  Page explains why in his post below.  Well said Page.

Well said. Personally, I think schoeps are the most natural sounding with TONS of detail and imaging. They do have a big low end, but that's what us schoeps users love they also have very fast transients IMO. Just an all around exceptional mic IMO

[Jonas Karlsson]

they also have very fast transients IMO

Could you explain what "fast transients" mean, for me who have english as a second language? 

/Jonas

[F.O.Bean]

they also have very fast transients IMO

Could you explain what "fast transients" mean, for me who have english as a second language? 

/Jonas

Meaning they pick up the speed of the sound. Large diaphragm mics have slower transients and sound warm overall. Schoeps have a pretty fast transient pickup meaning the drums and instruments sound faster and picking up more detail instead of being slower and warmer. Did that make sense? It's hard to put into words if you don't know what I mean

[Jonas Karlsson]

they also have very fast transients IMO

Could you explain what "fast transients" mean, for me who have english as a second language? 

/Jonas

Meaning they pick up the speed of the sound. Large diaphragm mics have slower transients and sound warm overall. Schoeps have a pretty fast transient pickup meaning the drums and instruments sound faster and picking up more detail instead of being slower and warmer. Did that make sense? It's hard to put into words if you don't know what I mean

No I get it - just got hung up on the word transients really 

And you're right - just those details can be heard when comparing, let's say CA14 and Schoeps. The muddy sounds comes with the buy 

/Jonas

[johnw]

Getting a little off topic here. The 4V & 41v have a high freqency bias tha the 4 & 41 don't have. The B5D apprently takes that away from V caps but doesnt affect the non V caps. That windscreen used to have a 1/8" piece of plastic "rib" that supported the foam and created an airspace. The rib didnt block end address capsules but blocked part of the side address capsules. I assumed this is why schoeps reccomended against using my B5D with my 4V. This is why CK cut that "rib" out. It would be an easy design change for schoeps to make. My question is if anyone knows if a design change was made or if blocking part of a capsule causes a high frequency rolloff?

[noahbickart]

Getting a little off topic here. The 4V & 41v have a high freqency bias tha the 4 & 41 don't have. The B5D apprently takes that away from V caps but doesnt affect the non V caps.

True of the 4v, but not of the 41v

Hypers:
http://schoeps.de/en/products/mk41v/graphics
http://schoeps.de/en/products/mk41/graphics

Cards:
http://schoeps.de/en/products/mk4v/graphics
http://schoeps.de/en/products/mk4/graphics

No significant hf bump on the vertical hyper, but a significant hf bump on the vertical card.