I have a 48kHz DMIC-20, so Im stuck. I was really kind of getting sick of the downsampling. But after reading some of Walter Sear's papers, I came to agree with him on some stuff. I realized that 16/44.1 is gonna be dead soon, so I might as well be doing the highest I can. I know 2 track audience tapes aren't studio recordings, but I might as well do the best I can. When I took Jef's V3 to Allgood, I did 44.1 all weekend which was nice in post, just sit down and edit, but I think Ill stick to 48 now.