i would have got my envelopes right before worrying about normlizing, that would be the last thing i'd do.
just fade out the sbd which which will probly mean a corresponding raise in the aud source. get all that right before normlizing. CEP has to have volume envelopes? use that instead of trying to use fades.
I still plan on normalizing the final mixdown to -0.1, but I wanted to have a 50/50 mix to start with, which is why I normalized each source first to -6.
CEP does have volume envelopes, though I've never used them. But I've been playing around with them and they seem pretty intuitive. The approach I'm thinking about is as follows, assuming point A is the point where I want the SBD to start fading out and the MIC to start amplifying to compensate, point B is the point where the SBD disappears and the MIC reaches the maximum volume (equal to the sum of the SBD/MIC sources throughout the rest of the recording), and point C is the end of the recording.
1. Apply volume envelope to last 10 or so seconds of SBD source, taking it from 100% to 0%
2. Apply volume envelope to the MIC source, starting at the same point that the SBD source starts to fade out, raising it to max volume over 10 seconds, and holding it at max volume through the end of the recording.
My question, then, would be -- what percentage and I amplifying it by to account for the missing SBD source? The volume envelopes look to be in percentages, while everything I know about the SBD source is in dB (normalized to -6, and then +5 in the mix). I assume that's +5 dB? What is the corresponding percentage that I want to increase the AUD source to so that the overall volume remains constant through the transition?
Or am I way off in my thinking?