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Gear / Technical Help => Recording Gear => Topic started by: Ace of Dubs on November 09, 2005, 02:01:00 PM
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The impression I get from this community is that the majority of you are into taping concerts. No doubt this facet of field recording has its own special considerations, especially when making expensive purchases. You all seem to know your sh!t and I appreciate your bravery because in a world of rushed production schedules, someone has to be the guinea pig.
I guess my question is, what would you buy if you were a recording artist, producing your own music? Not really interested in recording PA systems as much as ambient noises, voices, intstruments and other elements to color my tracks. I also DJ on the side and it would be very useful to be able to record sessions (RCA out from mixer) What do you think my wisest purchase would be a portable Recording Device?
- R4 seems cool. A little big and a tad more than what I need, but definitely a contender.
- MicroTrack looks hot, but there is no XLR, it has to boot up and you cant even replace the batteries? Screw that
- JB3 (or similar device) with PreAmp (I'd be interested in some opinions aside from Mic2496 or Denecke)
- V3 seems like a popular choice though I find it ugly and unwieldy in design. It's also damn expensive for not giving you an all-in-one solution.
- R1 Oade Mod sounds interesting, although after much searching I found very few posts on it. I guess not too many people have it.
- Was interested in seeing specs on Oade's Mod for the UA-5, but the link is broken.
- Marantz 671 Oade Mod seems tight. I think it only does 16-bit, but that really doesn't matter for what I do.
Ideally I would like to pay no more than $900 - $1,000 for the perfect setup.
Is this a rational request, or will I promptly be told to stop smoking crack?
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the 671 does 24 bit. the stock one is in your price range, the oade mod is more. you will still need a compact flach card (4gb ~$200).
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Not Rational- $900-$1000 won't get you much.
You can go rca>mini into the JB3, but only using the internal A>D converter.
Depends what quality you want.
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an r4 will be beyond your budget. That being said, I would get a 671
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Ideally I would like to pay no more than $900 - $1,000 for the perfect setup.
Is this budget for the recorder only, or for ALL gear required to record in the field?
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how is the V3 an "unweildy" design whatever that means.
I think the V3 is the best designed pre/ad solution out there. it looks slick and is built like a tank.
Stop smoking crack....save...and buy a SD722 ;D ;) :P
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The R4 is a little out of my budget, but it seems like a great deal for all it offers. I would go out on a limb for it if only it were more compact...
An SD722 is way out of the question. No way I am dropping 2 grand!
Looks like Marantz 671 is my best buy then. The basic mod fits my budget. I am curious to hear any experiences yall may have had with oade (customer service, punctuality, etc)
My mind is almost made up - but just watch, I will plunk down my hard-earned cash and the next day something cool will come out.
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didn't anybody tell you to leave your wallet at the door when you started this hobby?
;D
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didn't anybody tell you to leave your wallet at the door when you started this hobby?
;D
A wallet I can spare to leave, the problem is that these companies want my entire bank account!
When I am hungry, I can't exactly chew on 24bits of overly priced, hifi audio.
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The new Tascam CF recorder, but it's not out yet. Next month I think.
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The new Tascam CF recorder, but it's not out yet. Next month I think.
Thanks for that one. I am curious how good the converters will be. But from the looks of it, we seem to have a new reigning champion!
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Have a loaner MT24/96 for a few weeks bench and field recording tests and am encouraged with firmware V 1.1.5 fixing most serious problems to make this deck usable, but much more refinement still required to make at least the VU metters less erratic, and maybe stabilize the action of the REC level adjust buttons.
At least the analog-digital hardware designers seem to have done excellent work, especially for such a small size deck. The best news is after running noise analysis, MT24/96 analog input seems exceptionally solid for 24bit/96K low noise field recording with just directly connecting almost any type of (better with self powered) microphone into the TRS inputs.
Taking forever to finish a field recordist viewpoint review of this deck, but maybe take a look at the 'alpha' pre-review at: www.sonicstudios.com/mt2496rv.htm
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Have a loaner MT24/96 for a few weeks bench and field recording tests and am encouraged with firmware V 1.1.5 fixing most serious problems to make this deck usable, but much more refinement still required to make at least the VU metters less erratic, and maybe stabilize the action of the REC level adjust buttons.
At least the analog-digital hardware designers seem to have done excellent work, especially for such a small size deck. The best news is after running noise analysis, MT24/96 analog input seems exceptionally solid for 24bit/96K low noise field recording with just directly connecting almost any type of (better with self powered) microphone into the TRS inputs.
Taking forever to finish a field recordist viewpoint review of this deck, but maybe take a look at the 'alpha' pre-review at: www.sonicstudios.com/mt2496rv.htm
Thanks for the review!
What impedance for 1/4" TRS inputs did you measure? (balanced, unbalanced?)
BTW: Anyone know how to defeat the ever present 14 dB or so gain that cannot be switched off through the setup?
I'd gladly have someone solder a bit so the gain is gone or at least cut in half.
Anyone?
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Have a loaner MT24/96 for a few weeks bench and field recording tests and am encouraged with firmware V 1.1.5 fixing most serious problems to make this deck usable, but much more refinement still required to make at least the VU metters less erratic, and maybe stabilize the action of the REC level adjust buttons.
At least the analog-digital hardware designers seem to have done excellent work, especially for such a small size deck. The best news is after running noise analysis, MT24/96 analog input seems exceptionally solid for 24bit/96K low noise field recording with just directly connecting almost any type of (better with self powered) microphone into the TRS inputs.
Taking forever to finish a field recordist viewpoint review of this deck, but maybe take a look at the 'alpha' pre-review at: www.sonicstudios.com/mt2496rv.htm
Thanks Leonard for this great (unfinished) review of the MT, extremely useful chart of the gain structure especially (which makes it seem like M-Audio had an idea at work here that was not evident in my disorganized observations).
Do you see a great improvement using the lowest gain level setting in line-in (1/4" plugs) with your mics and preamp set to 20, versus the full gain (up 12 dB) on line-in with the Sonic Studios preamp set at +10?
+T
Jeff
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UPDATE: After talking with a few members here, I have decided to spring for a MT as soon as possible. Combined with a hot preamp, it will meet my needs for now. Now if only I could decide which preamp! So far I am contemplating these badboys
- V3
- MiniMe
- Mytek ADC 096
Taking forever to finish a field recordist viewpoint review of this deck, but maybe take a look at the 'alpha' pre-review at: www.sonicstudios.com/mt2496rv.htm
Looks like you are off to a great start there. Thanks for sharing!
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Thanks for the review!
What impedance for 1/4" TRS inputs did you measure? (balanced, unbalanced?)
BTW: Anyone know how to defeat the ever present 14 dB or so gain that cannot be switched off through the setup?
I'd gladly have someone solder a bit so the gain is gone or at least cut in half.
Anyone?
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Impedance NOT measured as yet, but thanks for the suggestion to add this information to the www.sonicstudios.com/mt2496rv.htm page.
Simple measurement to perform using in-series resistance with sinewave generator, but setup time/data recording into another chart may take several days for me to get to, so please be patient.
If someone is hot to jump on this, suggest using variable or fixed 1000-10000 ohms series resistor and sinewave 20, 1K, 20K cycles measurement frequencies applied, maybe necessary to measure impedance at every gain setting combination if showing significant change with gains.
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Stop smoking crack....save...and buy a SD722 ;D ;) :P
Naahhh... No reason for that. Just stop smoking crack, pot, and shooting heroin, then you have your choice of either the Cantar or Deva. ;D
Wayne