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Quote from: Petrus on February 26, 2008, 08:29:09 AMAll mics, angles and distances are legal, as long as you get pleasing results...I have even used hypers with a Jecklin disc, it happened to have mic suspensions attached at the moment. Childrens choir in a slightly too revibrant studio. Worked fine, if not "by the book". Angle was about 60 deg.QFTI've taken to labeling ORTF as 17cm@110º cardioidDIN, labeled as 20cm@90º cardioidDIN-A as 17cm@90º cardioidXY as XY90º, XY100º etc.wild ass guesses = 15"@50º cardioid, 12"@70ºbaffled cards etc.did I mention tht I used dual membrane LD's and a j-disc baffle with excellent, stunning results?we were told that can't be done either.
All mics, angles and distances are legal, as long as you get pleasing results...I have even used hypers with a Jecklin disc, it happened to have mic suspensions attached at the moment. Childrens choir in a slightly too revibrant studio. Worked fine, if not "by the book". Angle was about 60 deg.
Quote from: Moke on February 26, 2008, 12:03:13 PMQuote from: Petrus on February 26, 2008, 08:29:09 AMAll mics, angles and distances are legal, as long as you get pleasing results...I have even used hypers with a Jecklin disc, it happened to have mic suspensions attached at the moment. Childrens choir in a slightly too revibrant studio. Worked fine, if not "by the book". Angle was about 60 deg.QFTI've taken to labeling ORTF as 17cm@110º cardioidDIN, labeled as 20cm@90º cardioidDIN-A as 17cm@90º cardioidXY as XY90º, XY100º etc.wild ass guesses = 15"@50º cardioid, 12"@70ºbaffled cards etc.did I mention tht I used dual membrane LD's and a j-disc baffle with excellent, stunning results?we were told that can't be done either.Moke - what were you recording when you used "dual membrane LD's and a j-disc baffle"? Were you running omnis or something else?