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Author Topic: is a Matrix w/ 2 JB3's possible?  (Read 11798 times)

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Offline T.J.

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Re: is a Matrix w/ 2 JB3's possible?
« Reply #30 on: January 17, 2007, 11:17:28 AM »
all great advise guys. thanks a bunch!

i have one recording from last week which is only about 45 minutes (about 5 songs with some noticable spikes from the bass drum). i think this is a good opportunity to play around and find out what works best for me. i'll let you know how i make out.

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Re: is a Matrix w/ 2 JB3's possible?
« Reply #31 on: January 17, 2007, 03:25:39 PM »
I guess I have been lucky with my matrix's.  I've never had to do any time stretch etc and have never noticed any drift etc.
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Re: is a Matrix w/ 2 JB3's possible?
« Reply #32 on: January 18, 2007, 01:26:55 PM »
all great advise guys. thanks a bunch!

i have one recording from last week which is only about 45 minutes (about 5 songs with some noticable spikes from the bass drum). i think this is a good opportunity to play around and find out what works best for me. i'll let you know how i make out.

+T's

Your better off with a snare hit then a bass drum ( a bass drum has a much longer sustain then a snare shot. A snare shot is a very quick event with a sharp spike very easy to identify and line up. Also it should be mentioned one of the best ways is to zoom right into the peek as much as you can so that its easy to look at.

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Re: is a Matrix w/ 2 JB3's possible?
« Reply #33 on: January 18, 2007, 01:50:17 PM »
that makes sense. there is also some tuning in between songs which should help.

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Re: is a Matrix w/ 2 JB3's possible?
« Reply #34 on: January 18, 2007, 04:10:05 PM »
Your better off with a snare hit then a bass drum ( a bass drum has a much longer sustain then a snare shot. A snare shot is a very quick event with a sharp spike very easy to identify and line up.

I've found the absolute best peak to find at the end of the set is the loud pop when some guitar player pulls his cable out before the sound guy has muted the channel  :D

tim
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Re: is a Matrix w/ 2 JB3's possible?
« Reply #35 on: January 18, 2007, 04:27:10 PM »
Your better off with a snare hit then a bass drum ( a bass drum has a much longer sustain then a snare shot. A snare shot is a very quick event with a sharp spike very easy to identify and line up.

I've found the absolute best peak to find at the end of the set is the loud pop when some guitar player pulls his cable out before the sound guy has muted the channel  :D

tim

Nope thats no good, because the scream of the sound engineer or system tech has to long of a decay  :P
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