I kinda introduced myself in the Team Church thread, but I guess not to everyone. Name's Mike and I'm a (n00b) taper.
I'm finally looking to break in my new Church Audio CA-14's, CA-9100 and Tascam GT-R1 this weekend and would love a little advice before I tape my first show. And by first show I really mean MY FIRST SHOW with real gear. I've videotaped a few local bands (mainly my wife's) here and there, but never strictly audio. Unfortunately it appears there might be a bit of financial instability in my future, so I've been unable (probably a little more hesitant than unable) to finish purchasing everything I need by way of t-bar, shockmounts and the like. I have access to a light stand from my job and bought a Manfrotto Rapid Adapter 5/8 stud to 3/8 thread and the 3/8 to 5/8 adapter, but don't have anything between it and the mics. I saw a DIY project here a few weeks back where someone made a t-bar and some shock mounts out of some o-rings, hair scrunchies and a flat bar purchased at a hardware store, but I can't seem to locate the thread anymore. Anyway, I was hoping to fabricate something like that myself, or something similar, but I'm really not that much of a handy man and really wouldn't know where to start. So, what I'm thinking about doing is just clipping the mics (with the AT clips I got from Sound Pro) to some sort of bar, but I'm curious if it would be easier to purchase some sort of flat bar, drill a hole in it and secure it to the Rapid Adapter with a locking nut... or is there some other avenue I could/should take. Again, I'm hoping not too spend to much money. I definitely have more time to spend than money.
And secondly, about the CA-9100 and GT-R1. I semi-tested the rig the other day in the bedroom and was curious about my results. From what I've read it seems that the LINE IN is fixed on the GT-R1 at -10dbv, and to even get it to register at -24db I had to crank the CA-9100 up to the top. (Mind you, my computer speakers weren't nearly as loud as a show, but I had them cranked pretty damn loud. I could barely hear my wife talking to me while sitting 5 ft away.) If the LINE IN is fixed (at -10db or not) why would I have to crank the pre up to the top and not even get -10db? I'm still new at this, so I'm a little confused. (It may just be the fact that I just didn't have it lound enough, I don't know.) I recorded a second piece going mic-in which came in a little hotter, maybe -14db or so, but I'm sure I've read that it's usually better to record LINE IN. I normalized the first piece in Audition and it ended up sounding pretty good, but I'm curious which would be the better avenue to take. BTW, I will be recording 24bit, which I've heard is more lenient when needing to boost the levels in post. Oh, and the mics were probably 9-10 ft away from the source and about 7 ft. high.
I'm hoping that's not too much to take in for my, what, third post? I guess I shoulda started asking earlier, but I'm looking forward to this show this weekend (Stanton Moore Trio) and although I know my first attempt won't be my best, I would still like to come home with some good results. Looking forward to any and all help.
(I can add samples if need be, but I just taped a regular cd, not a live show, so I don't know if it's cool or not to post. Which is basically why I didn't in the first place.)