Taperssection.com
Gear / Technical Help => Microphones & Setup => Topic started by: jerryfreak on May 20, 2008, 02:07:47 AM
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a cool link i found on gearslutz:
http://schoeps.de/showroom/showroom.htm
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nice very nice >:D
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nice very nice >:D
I agree. It really is a great interactive page!
The demo with the woodwind ensemble is really insightful. I like the imagery with the mk4s in ORTF but the mk21 tonal qualities are pretty much the most accurate to my ears, at least with what I have playing on my computer at work thru a pair of Sennheiser HD424s.
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awesome! Can't wait to play with this tonight...
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Nice. I like the fact you can change mics mid stream and truely hear the differences.
I noticed the mk6 is not provided?
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What a great learning tool. I agree the ensemble was very insightful. The omni's AB sounded best to me. Thanks for posting this.
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Wow...that should get a web "emmy"
totally incredible.
I see that they split omni's at 36cm. Would this be optimal for taping PA's also (ie. festival shows)
I've always wondered how far I need to spit them without going overboard.
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Especially interesting is Jurg's speaking on mics in general and why he believes a good mic 1) can recdord anything and 2) should have no coloration. 8)
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This thing is absolutely amazing. +t!!
I the M/S on the piano is really neat.....but god damn the omnis are breathtaking. :coolguy:
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Wow...that should get a web "emmy"
totally incredible.
I see that they split omni's at 36cm. Would this be optimal for taping PA's also (ie. festival shows)
I've always wondered how far I need to spit them without going overboard.
A few Dead shows by small-weber and a gaswirt split mk2s at 8 feet on archive. search it and discover yourself how amazing split omni schoeps sound in an open field PA situation.
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Hall of Fame!
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GD 6/11/93 which is currently on bt.etree.org is a great example of a split omni recording (and the best first set of the 90's, btw....)
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This site is fantabuloso! But I want more: Blumlein, same configs at different distances, various angles, etc. More please!
Wow...that should get a web "emmy"
totally incredible.
I see that they split omni's at 36cm. Would this be optimal for taping PA's also (ie. festival shows)
I've always wondered how far I need to spit them without going overboard.
Kev, I run the bug eyes at around 39".. tuned by ear from my experience and doable with those light mics from one stand. I'll send you that show someday, really ::) (needs some low eq). When I saw this site I was actually surprised to see Europeans using that wide of an A-B omni spacing. They generally consider us Americans crazy for using huge A-B spacings of 8, 10 or more feet, much less 1 meter. I guess the roots of that preference goes way, way back to the US (Harvey Fletcher's spaced omnis at Bell Labs) -vs- European (Allan Blumlein's 8's & M/S at EMI) history of stereo.
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That site is awesome! It's cool to hear the different comparisons.
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love it!