Taperssection.com
Gear / Technical Help => Recording Gear => Topic started by: Kyle on October 31, 2008, 07:34:54 PM
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Hey all - I have searched around for this but I can't quite seem to find exactly what I need so here goes...
When I run the D5 (mic in) I need to use the 20dB pad. I usually use my Sennheiser ME-40s with this rig. However, for shows that are pretty loud, it is not enough. For example, at a Yonder Mountain String Band show 20db is plenty of attenuation. But for a loud show like Lotus (my most recent analog pull), the mic pre begins to overload. It is not terrible, but when the music peaks you can hear that pre start to strain. The mics do not have a pad so I use in-line 10db attenuators, and all is well. 30db is enough to keep me in the safe zone. So, to get the most out of this pre, would it be best to use the built-in 20db pad and the 10db in-line attenuators, or should I get a 30db attenuator and skip the built in 20db pad? Or does it not make a difference? Thanks ts.com :coolguy:
FWIW, I am using the Pro Co MAX10 attenuator. ---> http://www.sweetwater.com/store/detail/MAX10/
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Usual for Sony and many other portables with 0/20dB mic sensitivity input switch is this controls the 1st stage gain, and is NOT a pad.
1st stage at lower gain (-20dB) setting is best performance setting.
So for best quality/headroom use external 10 dB pad and 20 dB mic input deck setting.
More stuff like this and more other useful recorder info on my tips page at: www.sonicstudios.com/tips.htm (http://www.sonicstudios.com/tips.htm)
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Thank you very much for the info +T
edit: I did not realize that there is a second gain stage. Very interesting information. I am glad it is as this way as I have been using the in-line pad exclusively so I know I have been getting the most (at least performance wise) out of my deck. WooHoo!