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Gear / Technical Help => Microphones & Setup => Topic started by: bhtoque on October 08, 2009, 02:22:52 AM
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Hey all,
These are two short samples from Garaj Mahal tonight.
Both were recorded on my R4, normalized and taken from 24/96 to 16/44.1 with SF7
The 270's were split 3ft and the LSD2 was Blumlein.
Both sound great to my ears, but I am curious as to what everyone else thinks.
I'll post which is which later (though it should be easy to spot)
Thanks for the input.
JAson
<a href='http://www.sendspace.com/file/tjvkrn'>http://www.sendspace.com/file/tjvkrn</a>
<a href='http://www.sendspace.com/file/fvc374'>http://www.sendspace.com/file/fvc374</a>
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I think:
sound1 = LSD2
and
sound2 = MG m270's
and I prefer sound2. It's a little brighter and has a more open, wide sound, which I would expect with split omnis instead of blumlein. I also think that the differences are more apparent once the vocals start.
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a wonderful example of how a $500 mic is really all we need.
dont tell anyone.
:)
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Interesting. They both have a lot of stereo separation. I've not run split omnis stage lip personally, and I didn't think there would be as much separation, but obviously there is.
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depends how far you split them. I've had some great on stage omni pulls with a 2 or 3' spread.
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Joe, I ran 3' split ck22's on stage that night in Portland for Taubab Krewe. There was definately some seperation going on that night.
JAson, i will listen when I get home from work, but which source was run off the Oade Mod channels on the R-4? If i remeber correctly your R-4 has the front channels modified and the back channels are stock.
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Thanks Ted,
Forgot to mention that the MG's have the added benefit of being on the modded channels and the LSD2 was on the stock amp.
JAson
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Let me first say both sound very good.
1= The LSD2
2= the MG's
I prefer 2 for its separation but again as nick state LSD2 is 500....going up against mics that cost 4x that....thats tough to beat in this situation, assuming I have my guesses right.....
Nice comp...
Peace OOK