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Gear / Technical Help => Post-Processing, Computer / Streaming / Internet Devices & Related Activity => Topic started by: acidjack on August 05, 2010, 10:46:20 AM
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I tape in arenas very rarely (read: basically never) so I haven't put a lot of thought into this, but I got a nice >:D pull with my DPAs last night at MSG. Obviously I plan to trust my ears, but I'm hoping other people's ears can save me some time. What frequencies do you find you scoop to reduce that nasty stadium-boomy sound? I was center and the PA was good, but I mean, it's an arena recording, no two ways about it.
And yes, before team CMR/Schoeps fanboys chime in, I know I could just get a lowpro setup for my mk41s and solve some of the issue... but I like my DPAs.
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If you have a multi-band EQ just try each fader. I eliminate room resonances in the 150-250hz pretty often. Arena "boom" might be a bit lower. Start with the 80hz fader and experiment to see what sounds best.
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With Wavelab, I look at the spectrum during playback, and usually the highest of the mid frequencies are what I lower to get rid of the echo, but it really is trial and error. I dig using wavelab because I can just open up a Q-10 equalizer and tweak with it WHILE it is playing back, so that I get on-the-fly feedback. The frequency ranges already stated are around the ones that I usually end up reducing as well, FWIW...
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Trust your ears, and go from there. Tonight's (8-5-10) m.s.g. performance will be broadcast on the youtube , starting at ten PM EDT, for those of you interested in catching it.
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I start with high pass 60htz, and generaly have to move to 80 or even 100htz. Trust your ears. Echo is above that in the 150htz range which I might lower 1db, up to 2db, but 2db is an awfully lot. Trust your ears. Try different settings. Depends on location and mike used. Omnis will be more challenging.