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Gear / Technical Help => Microphones & Setup => Topic started by: skinnypaul on March 18, 2011, 01:43:24 PM
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I wondered how folks using these mics tend to mount them?
I realised they're designed as binaural mics but wondered about mounting them X-Y?
Is anyone using them on mounts? (other than hats, specs and jacket collars of course...)
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If they're designed as binaural mics they'll be omnidirectional, so your best bet is an A-B spaced pair. Chris Watson (wildlife specialist) uses omni lavelier mics mounted on a wire coathanger quite a lot, there's a sketched diagram here:
http://thedomesticsoundscape.com/wordpress/?p=1247
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I wondered how folks using these mics tend to mount them?
I realised they're designed as binaural mics but wondered about mounting them X-Y?
Is anyone using them on mounts? (other than hats, specs and jacket collars of course...)
http://www.dpamicrophones.com/en/Mic-University/StereoTechniques.aspx
XY is a coincident stereo recording technique that involves two directional micrphones, usually cardioid. CSBs are omnidirectional.
Your best option to increase stereo imaging when recording with the mics mounted is to use a baffle. Read up on jecklin disks and you should get some good ideas!
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Oop! I completely forgot I'd started this thread...
Thanks for the answers and the links. I actually visited the Chris Watson installation at Kew Gardens. He's an interesting guy.