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Gear / Technical Help => Post-Processing, Computer / Streaming / Internet Devices & Related Activity => Topic started by: Emile on September 16, 2011, 11:12:14 AM
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Dear everyone,
I have a question about left/right channel mixing, which I would love some advice for.
I recorded an acoustic house show 2 days ago, and I'm very happy with the recording itself. The show was a singer on guitar and a percussionist on djembe/cajon.
The recording was made with a pair of AT831s, stereo.
The microphones were placed close to each other, but aimed slightly to the left/right so have a feeling of stereo.
Now, my question/main problem with the recording is this: I'm happy with all the levels, except the left channel when the percussionist is playing the cajon, because the bass of the cajon a bit boomy/loud (also loud in comparison to the singer voice, which is mainly in the right channel). So, I'm wondering if maybe it would be a good idea to make a mix of the left&right channel and use that as my left channel? I realize it will lose some of the stereo feeling, but maybe this would sound better?
Just to clear this up: the cajon doesn't clip the left channel, it just doesnt sound all that good to me.
I hope this question makes sense and that I have listed all the info that might be needed. But if you have any questions, feel free to ask them!
Thanks in advance.
Best,
Emile
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Just to add: if this topic would be better in a different forum, feel free to move it!
Thank you
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Maybe try messing around with the panning of the channels to tighten it up / balance it out a little. Also, maybe a little eq on the left channel to dial back some of the cajon.
-j
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Maybe try messing around with the panning of the channels to tighten it up / balance it out a little. Also, maybe a little eq on the left channel to dial back some of the cajon.
-j
Thats my vote. Unless you did a coincident setup, you'll get phase cancelation across the stereo image by mixing the channels.
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Rather than panning, try splitting your stereo track into L and R.
Pan each appropriately. (100% left and 100% right)
Adjust levels for each to taste
This gives you a more balanced soundstage but without the phasing issues.
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Rather than panning, try splitting your stereo track into L and R.
Pan each appropriately.
Adjust levels for each to taste
This gives you a more balanced soundstage but without the phasing issues.
That's what I meant. I work with mono files mostly, and forget that is not everyone's workflow.
-j
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Thanks everyone for the advice.