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Gear / Technical Help => Microphones & Setup => Topic started by: JapanRecording on May 05, 2012, 05:07:50 AM
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Hi. I'm new here. I read the thread "Good All-Around Interview Microphone?" http://taperssection.com/index.php?topic=143039.0 (http://taperssection.com/index.php?topic=143039.0), which is relevant to my immediate situation. But since the mics recommended seem to be dynamic mics, that raises a slew of questions regarding my situation.
For starters, I plan to buy a Roland R-26 recorder and use the R-26 with an omnidirectional handheld mic for field recording of interviews. The Roland R-26 has XLR inputs as well as phantom power. But the online specs for the R-26 don't mention a mic preamp, so if I connect a dynamic mic to the R-26, am I also going to need to lug around a separate mic preamp? What do people typically do in this situation with a portable WAV recorder like the R-26 and a dynamic mic to boost the mic signal?
If I need to carry a preamp, too, what is a good, portable, lightweight single-mic preamp under say $250.
Also, no one seems to mention the Shure SM-58 microphone, also a dynamic mic, for doing interviews on location. I'm curious: is there some reason the SM-58 is not particularly good for handheld use doing interviews in the field, whereas other dynamic mics are better? If so, what is the reason?
Finally, I'm curious about one other thing: Do people ever hand-hold a condenser mic for interviewing? The Roland R-26 has phantom power, so a condenser would seem like an option. If not, why not? If so, what would be a good choice for a hand-held condenser interview mic under $300.
Thanks!
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dynamic microphones don't need pre-amps. whatever mic you choose, you should practice reducing the handling noise as much as possible. the sm58 isn't a top mention because there are other ones ideal for interviews but it would work and the sm58 is often used for musical stuff.