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Gear / Technical Help => Microphones & Setup => Topic started by: cybergaloot on May 20, 2013, 11:20:48 AM
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Interesting vocal mic setup: 1960 : Marilyn Monroe recording “Let’s Make Love” (from Retronaut)
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Ahh, to be one of those mics...
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3?
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3?
Exactly and they seem to be aimed center and slightly left and right.
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Did she wiggle and move around a lot when she sang?
they seem to be aimed center and slightly left and right.
You mean the mics, right?
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Did she wiggle and move around a lot when she sang?
they seem to be aimed center and slightly left and right.
You mean the mics, right?
Maaaybe!
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Probably intended for stereo and mono recording, back in the early days of stereo when somebody thought a stereo vocal was a keen idea ???
or perhaps they couldn't decide which mic would make her voice sound the "best" so they used three and decided which track to use later? or is this a silly hypothesis?
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Probably intended for stereo and mono recording, back in the early days of stereo when somebody thought a stereo vocal was a keen idea ???
or perhaps they couldn't decide which mic would make her voice sound the "best" so they used three and decided which track to use later? or is this a silly hypothesis?
Considering the recording technology of the time, I doubt they did that. Maybe, it was possible, but most recording was to mono, stereo or 4 channel. 8 channel existed but wasn't common. Remember, Sgt Pepper was recorded 4 track.
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We would also have to consider whether this was a musical recording or something for film (or both!). Three channel being pretty common for film even now. Or so I think I've read. Don't quote me!
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The inside mic is for the recording session.
The outside pair are a binaural setup routed directly to the oval-office.
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The inside mic is for the recording session.
The other two are for the engineers to take home.
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The inside mic is for the recording session.
The other two are for the engineers to take home.
Maybe they have camera's inside >:D