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Gear / Technical Help => Battery Boxes, Preamps, Mixers, ADCs, and Processors => Topic started by: Pieteker on September 11, 2025, 02:52:46 PM
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For anyone using the Zoom F3 and wishing it had a 3.5mm PIP input — here’s an adapter that makes it possible. It converts phantom power to proper 9V PIP.
https://immersivesoundscapes.com/zoom-f3-pip-mic-adapter/ (https://immersivesoundscapes.com/zoom-f3-pip-mic-adapter/)
Might be interesting if you want to pair your F3 with small stereo mics while keeping full 32-bit float workflow.
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Another less expensive alternative with excellent performance is the LOM Phantom Adapter. There is a store backlog, but they tend to stay in stock for a while when new batches become available. I use this with all of my Clippy style mics into an F3.
https://store.lom.audio/products/usi-phantom-adapter
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I'd highly recommend just selling the F3 and getting a tascam FR-AV2 if you want to use PIP mics on a device with this form factor. Fewer adapters means fewer places for things to go wrong, and the Tascam is an excellent device.
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For anyone using the Zoom F3 and wishing it had a 3.5mm PIP input — here’s an adapter that makes it possible. It converts phantom power to proper 9V PIP.
https://immersivesoundscapes.com/zoom-f3-pip-mic-adapter/ (https://immersivesoundscapes.com/zoom-f3-pip-mic-adapter/)
Might be interesting if you want to pair your F3 with small stereo mics while keeping full 32-bit float workflow.
That is fun website to check out. Interesting small omni's too.
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I'd highly recommend just selling the F3 and getting a tascam FR-AV2 if you want to use PIP mics on a device with this form factor. Fewer adapters means fewer places for things to go wrong, and the Tascam is an excellent device.
Fwiw, I use the LOM Phantom Adapter with the Zoom F3 and it's excellent. On the XLR end, you can't tug it free by design, and on the 3.5mm end, you actually have a really nice, secure connection that is hard to disconnect by accident (I'd say harder than on most recorders).
The one caveat about the LOM offering is that it adds a lot of gain (this is an undocumented feature) - it essentially works as a +16db preamp. It's very clean gain that won't increase your noise floor at all, but I'd be wary about using it with very sensitive mics and loud sources. With a pair of CA-11s, I've had no issues at all.