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Gear / Technical Help => Battery Boxes, Preamps, Mixers, ADCs, and Processors => Topic started by: Jimna on August 17, 2004, 04:35:04 PM
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I am currently running a Denecke AD-20. As problem free as it has been, Im starting to see a trend of lacking low end in my big venue recordings. Would the use of a real preamp such as a v3 or a mini me help this problem. Its not the mics because when at a close proximity they can over kill the low end in the equation. on 8-7 I taped the dead at Camden with 1 patcher. He ran my signal through his Edirol ua5 and had a much warmer sound than I. Was this a fluke through the headphones? Would the pre do me right? Anyone have an answer?
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ad-20 is a "thin" sounding preamp - pretty weak in the bass department, but nice detail up top. I ran one for a short time and that was its most obvious characteristic. If you want more warmth and low end punch, go with a MiniMe or a Warm-mod UA5.
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ad-20 is a "thin" sounding preamp - pretty weak in the bass department, but nice detail up top. I ran one for a short time and that was its most obvious characteristic. If you want more warmth and low end punch, go with a MiniMe or a Warm-mod UA5.
Craig's right as usual...
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ad-20 is a "thin" sounding preamp - pretty weak in the bass department, but nice detail up top. I ran one for a short time and that was its most obvious characteristic. If you want more warmth and low end punch, go with a MiniMe or a Warm-mod UA5.
I'm not disputing your preferences but I do wonder if one can blame the lack of bass on the AD-20.
I've included a graph showing the inherent bass roll-off of the AD-20 (from simulations only - measurements are not available yet). And yes, a noticeable bass rolloff is noticeable but I would think this drop was totally insignificant relative that found in typical mirophones, except possibly for some omni capsules.
Jon