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Gear / Technical Help => Microphones & Setup => Topic started by: Doc on September 24, 2006, 06:14:03 PM
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In another thread I'm am receiving great advice on whether to purchase ADK A-51 TLs, AT 4050s or SP C3s for recording live orchestra
http://taperssection.com/index.php?topic=71770.0 (http://taperssection.com/index.php?topic=71770.0)
Part of my decision in part depends on the importance of having -10 or -20 dB pads AND/OR high-pass filters on the mics.
I am running into an OADE modified Marantz P660, which has it's own -10dB pad built in.
How important are such pads when recording digitally?
Do you get the same effect adding a high-pass during post-processing as when recording?
Any other issues I'm missing here?
Thanks
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Doug HIGHLY recommends running the -20 dB pad on the Marantz ACM 660. If it's REALLY quiet, you can probably take of the pad (via menu), but apparently I read that the levels will be screwed up.
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How important are such pads when recording digitally?
Do you get the same effect adding a high-pass during post-processing as when recording?
Any other issues I'm missing here?
Thanks
Well in my opinion the only reason to use pads is if the SPL level is hotter than normal. So it just depends on whether or not the max SPL level of the mic or close to it is going to be reached during the recording. If yes by how much and then I would decide on the pad to be used. I mainly use pads on drums, and I use the pads on the board. Im not a huge fan of micing up instruments so close that the mic itself needs a pad anyways.
Second my philosophy on high pass or low pass on the mic goes like this. Unless you know and are very confident in your ability that you will end up running this same filter in post then why not use it going to tape. However you can always take away later if you want. But you cant add what you dont have if you use the filter. Plus you have to ask yourself if the filter on the mic is as good as the filter you could use in post.
Oh, and I own a pair of AT 4050s and I love them for all sorts of applications. If you havnt bought a pair of mics yet, the 4050's rock.
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Thanks for the info guys
+T if I could
Now I'm even more torn/perplexed - I had it narowed down to the ADK or 4050:
one of the things that was pushing me away from the ADKs was the lack of on-mic pads and filters, but it seems that they are not so important, but then you recommend the 4050s, but then I found a matched pair of new ADKs for $750, but....
my brain now hurts :o
it's like one of those Star Trek episodes where Kirk blows up a computer with circular logic
(I, Mudd and Nomad, and...)