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Author Topic: Line in recording and digital recording 24 bit...what to pick?  (Read 2396 times)

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Offline Popmarter

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Line in recording and digital recording 24 bit...what to pick?
« on: September 03, 2011, 06:31:48 AM »
I am considering a new recorder. Here is what I need it for:

1. audiencerecording using AT831 mics (or any for that matter): AT831 > line in (phantom powered) > 24bit recording
2. average recording 24 bit recording (transfer old DAT/MD/tapes etc) using optical connection: Source optical OUT (behringer Ultramatch pro 24/96) > Optical IN on the recorder > 24 bit recording to SD/Flash type card

Currently looking at the M10 as a recording unit, but it lacks digital in and I need a batterybox (no real problem as i am using it already with my Iriver).

Second option would be Marantz pmd 661. It records 24bit digital in and I won't need my batterybox/preamp (JKlabs) anymore, right? Or do i still need it for the preampfunction? (I am hoping the Marantz could do that).

Any advice on this with a budget set to 500 euro. I am open for alternatives, but I want to keep it out of the PC (so, no soundcard).

Recorders: Zoom F3; SD MixPre 3 II; Sony A10; Edirol R44; Sony M10; Sony WM-D6; iRiver IHP-120; Sharp MD-MT20; Sharp MD-MT190
Microphones: Schoeps MK41; Nevaton MC59/S (cards); Milab VM-44 Links (cards), AT853 7.4mod (cards); AT831 (cards); Nakamichi CM300 (all CP's); Soundman OKM II Rock Studios
Preamps: Beyerdynamic MV100; JK Laboratories DVC-X-17b; Naiant IPA; Nakamichi MX-100 modded for 9v battery use ; Baby Nbox

Offline DigiGal

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Re: Line in recording and digital recording 24 bit...what to pick?
« Reply #1 on: September 03, 2011, 09:47:16 AM »
The Marantz PMD 661works fine without an external preamp, it has XLR line and mic level input with switchable phantom power built right in.  It's a nice solid unit and an excellent choice for your budget.
« Last Edit: September 03, 2011, 10:01:00 AM by DigiGal »
Mics: AKG CK91/CK94/CK98/SE300 D-330BT | DPA 4060 4061 4266 | Neumann TLM 103 | Senn ME66/K6/K6RD MKE2 MD421 MD431 | Shure VP88 SM7B SM63L SM58 Anniversary Cables: Gotham GAC-4/1 Quad w/Neutrik EMC | Gotham GAC-2pair w/AKG MK90/3 connectors | DigiGal AES>S/PDIF cable Preamp: SD MixPre-D Recorders: SD MixPre 6 | Marantz PMD 661 Edit: 2011 27" 3.4GHz Quad i7 iMac High Sierra | 2020 13" MBA Quad i7 Catalina | Wave Editor | xACT | Transmission | FCP X 

Offline jbell

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Mics: DPA ST4011ER & 4018ER | Neumann kk 184 (matched)> Nbob/PFA
Preamps: DPA MMA 6000 | Audioroot Femto
Recorders: Sound Devices Mixpre-10 II | Sony PCM A10

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Offline bryonsos

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Re: Line in recording and digital recording 24 bit...what to pick?
« Reply #3 on: September 03, 2011, 10:25:08 AM »
Here is an Oade 661

http://taperssection.com/index.php?topic=148490.0

I just bought an Oade warm 661 here a month ago, and it really makes cards and hypers shine (warmly of course). Great deck!
Mics: 3 Zigma Chi HA-FX (COL-251, c, h, o-d, o-f) / Avenson STO-2 / Countryman B3s
Pres: CA-Ugly / Naiant Tinyhead / SD MixPre
Decks: Roland R-44 / Sony PCM-M10
GAKables
Dead Muppets

My recordings LMA / BT / TTD

Offline Popmarter

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Re: Line in recording and digital recording 24 bit...what to pick?
« Reply #4 on: September 03, 2011, 12:01:38 PM »
Thanks for the replies. I am located in europe so if someone there wants to sell it, get in touch
Recorders: Zoom F3; SD MixPre 3 II; Sony A10; Edirol R44; Sony M10; Sony WM-D6; iRiver IHP-120; Sharp MD-MT20; Sharp MD-MT190
Microphones: Schoeps MK41; Nevaton MC59/S (cards); Milab VM-44 Links (cards), AT853 7.4mod (cards); AT831 (cards); Nakamichi CM300 (all CP's); Soundman OKM II Rock Studios
Preamps: Beyerdynamic MV100; JK Laboratories DVC-X-17b; Naiant IPA; Nakamichi MX-100 modded for 9v battery use ; Baby Nbox

 

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