PR-2 will power DPA 4060 just fine. The problem is at higher SPLs, well within the limits of the microphone, where the output of 4060 becomes too hot for the PR-2's input stage causing distortion. That combination has proven unable to handle typical concert PA bass/subwoofer content. DPA 4061 is a much better match to the PR2 and will not overload recorder as long as gain is set correctly in 24bit mode (or 32bit float mode is used).
The above was determined using stereo pairs of DPA 4060 and 4061, recording in 24 bit 2-channel mode on the PR2. I've not used a single 4060 into PR2 set to mono-only 32bit float mode. However I don't think changing mode to 32 bit mono will help, since it was the analog input stage of the PR-2 that was overloading, regardless of how low input gain on the PR2 was set.
Its quite unfortunate, a pair of DPA 4060 is what I initially hoped to use into the PR-2. In a pinch, the use of 4060 may be acceptable for recording spoken dialog or other things relatively low in SPL, but I'd not recommend it, especially for music recording.