Hey guys im tapin my first show tomarrow night at a small venue (old garage) with a very kickin pa system in it. what mic set up would u use? and im runnin c4s-ua5-jb3 should i use the cards or omnis and what setting on the mic should i have it at? thanks guys
If ya mean kickin' as in heavy bass ya might want to run XY but if ya think the band might have a good sound balance defintely go DIN w/ the cards. Keep the mic set on normal w/ no bass pass (switch all the way up towards caps). Keep an eye on your UA5 and make sure ya don't overload. I like to start at 3 0'clock on my left and right channel and see how it goes. The light (overload light) should flicker on and off multipyle times. And most important have a good time and good good luck. Also +t for your virgin trip in the tapers section.
Peace
The spacing between the microphones on the horizontal plane is intended to simulate the intra-ear delay time we hear. The spacing is about twice that of the ORTF method or 30cm for NOS and 20 cm for DIN, both use an included angle of 90 degrees. They are best suited for really bright sounding microphones. With Microphones like the AKG and Microtech Geffel lines there is a noticeable loss of focus or detail with this much spacing and is not recommended for these microphones. Very Bright mics like the AT and Schoeps often benefit from the phase differences resulting in a sweeter sound than they would produce in an X-Y configuration. If you like the ORTF method, you may wish to experiment with this interesting setup.
This is the most common form of stereo recording, the 90 degree X-Y configuration. Here careful attention should be paid to the vertical alignment of the diaphram inside the capsule. The smaller the error the better the focus and depth of the recording. The horizontal displacement is not critical and can be adjusted to accomadate larger microphones or the use of windscreens. This works well with both cardiod and hypercardiod microphones. This is our recommended starting point for all new recording engineers. We find that all large diaphram microphones must be set up in this manner to assure satisfing results.
http://www.oade.com/Tapers_Section/micsetup.html