Not all shock mount designs are suitable for running XY horizontal. My ADKs sag and put way too much stress on the bands.
By any objective standard Doug's statement is so overreaching to be absolutely meaningless. ALL LDs? Running even omnis XY? That makes no sense.
The best recordings I have made with my LDs was DINa. By far the worst recordings I have made with my LDs is running XY. That is based on the music I like recorded the way I like to hear it, and that is what really matters.
I would not suggest running anything greater than 90 degrees because of the LD off-axis response characteristics, but if you are having problems with XY, but can get in a DINa (17cm 90) with what you have, go with that the first night and see how it does.
OK, yes LDs may not be the ideal choice for a big sports arena, and so you have a new rig and a few logistical obstacles. Don't sweat the details too much. The Holy Grail of amateur recording of guitar oriented music - that recording where you get so much detail and clarity you even hear the occasional slight finger squeak on a fretboard? Phish in this venue, that is just not even close to being available, much less being capturable.
With all the gear in the world you are not gonna do but so good in this kind of environment. OTOH you are still gonna get something listenable.
The worst (by far) recording I can remember making in recent memory was Phil Lesh out on Penn's Landing in Philly a couple of summers ago. If we had been any further back I would have had to swim the river and set my shit up in Camden NJ. The wind was gusting so hard I got tons of phasing. But hey even with all the problems, when we got back to our hotel all spun out, popped open a round of cold freshies, and plugged my deck into the box, we all thought it sounded great (at the time).
Go with whatever you've got, have fun, you can worry about the finer points some other time when you are in a small sweet sounding venue.