Yes, as joeldotc mentions that type of capsule will require an impedance conversion circuit, along with good shielding around both mic capsule and the conversion circuitry, adjacently mounted near each other somehow inside the headphones. See the OPA Alice single channel impedance conversion board listed under related products on that webpage. You'd need two of those, one for each channel. Doing all that will be quite an undertaking. That capsule is also overly sensitive and its SPL max is a bit low for typical concert recording.
Will be much easier to simply install a small pair of omni lavalier mics in there. They'll be smaller, and will complete with an inbuilt FET stage and will have the cabling and connector all nicely worked out.. or easily reconfigurable.
Install them facing outward and wear the 'phones normally on your head to produce a pseudo-binaural recording. Hang them around your neck and the outside faces will angle outward and downward somewhat, which should also work even though the downward angle, close spacing, and lower height will be less ideal than head-worn where the mics are up high and your head serves as baffle. If the cups rotate so that they lay flat on your chest and face forward, you'd want as much spacing between them as you are able to manage, 12 inches would be good and is possible with other chest mounting schemes, but probably hard to manage with headphones. Worn that way the sensitivity pattern of the omnis effectively becomes forward-facing cardioid-like for most of the frequency range due to the baffling provided by your torso.
I recorded a bunch of stuff way back in the 80's using a pair of Sony MDR-V6 / 7506 headphones as mics plugged directly into a cassette recorder. The dynamic drivers in the headphones work as dynamic mics. Worked much better than you might think, but you are likely to get better results from installing actual mics.