So you recommend the MK4's then.
I'm usually happy with the results that my MK41's bring me, but not in this venue.
No brainer, mk4's over mk21's.
The general case for 4's over 41's is less simple.. It is very subjective to what you like and especially what and where you record.. Whether it is GA or reserved seating, etc. But if I could have only one pair to run in a hat, it would be 4's over 41's for me and my venues... but my usual situation is 20 feet from stage. With different venues, I might pick the 41's as my only pair.
Any thoughts on why the 41's aren't working in the room? What are/aren't you hearing?
You know, Freelunch, I can't really say and I'm horrible at describing what I hear.
I don't know the correct terminology.
To me, my recording sounded really edgy, lacking the warmth of the room.
Also, some of the vocals appear to echo in my recording and I don't recall that being the case live.
Acoustics in the venue are absolutely incredible and I was expecting more from my tape than what I got. Maybe too much.