It seems that some of you are missing the point of our future proof claim. It's not about the shelf life of an archived file or format. It's about capturing audio at a resolution that is so much higher than today's standards, or likely tomorrow's and so on, so you are working with an audio quality that can "spill down" into your future project formats.
If you only record and archive by today's project's standard (let's take your example of 44.1/24) then when you are given a chance to make a DVD audio version of your project your audio is only available at 44.1/24, so there's nothing to gain from the available 96 kHz/24-bit potential of the format.
the comparison to RAW photo images is a good one - maybe today you are only thinking about posting an image online, but I would never take the picture at 75 dpi...
:-)
Note: I'm not trying to promote flames about 44.1/24 bit sounding "bad" per se... So let's not digress.
But our position of "future proof" is to record beyond today's project delivery needs, so you can always go back to the source and produce higher quality versions when needed. Overshoot and be ready for higher standards in the future as they (hopefully) become the norm.
Clearer?
regards,
Jerry
Korg Guy