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Author Topic: Sony D50 vs M10 line-in comp  (Read 9781 times)

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Offline page

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Re: Sony D50 vs M10 line-in comp
« Reply #15 on: September 07, 2011, 11:52:46 PM »
Thanks for all your input.

Although it doesn't seem to matter too much, I'll post which file is which recorder tomorrow. I'd be interested to know which had the better DC offset.

This is what I wrote down. RMS values on top (L/R), DC off set second:

B
RMS -28.88/-30.85
DC -194/Inf

A
RMS -28.85/-30.85
DC Inf/-198

I got different Avg RMS numbers and neither showed any dc offset. Hmmm...  :-\

I used Izotope's RX
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Offline ethan

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Re: Sony D50 vs M10 line-in comp
« Reply #16 on: September 19, 2011, 01:45:29 PM »


Can the D50 handle a +4dBu pro-level analog signal?
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Re: Sony D50 vs M10 line-in comp
« Reply #17 on: September 19, 2011, 03:10:07 PM »
^yep, max input is more than 21dbu.(I think guysonic measured it at 26) 

I fed my M10 a max signal from my mixer (which is +24dbu) and I did not hear any distortion.

I think the ability to handle strong line levels is what sets the Sony PCM series apart from the competition...
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Re: Sony D50 vs M10 line-in comp
« Reply #18 on: September 19, 2011, 04:38:52 PM »
^yep, max input is more than 21dbu.(I think guysonic measured it at 26) 

I fed my M10 a max signal from my mixer (which is +24dbu) and I did not hear any distortion.

I think the ability to handle strong line levels is what sets the Sony PCM series apart from the competition...

Awesome! I think damn near EVERYONE runs an M10 these days :)
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Re: Sony D50 vs M10 line-in comp
« Reply #19 on: September 19, 2011, 04:50:58 PM »
Thanks! +T

going to to some SBD's on a trip to NOLA this weekend.

So is there a level not to go below on the level control like the old D8's?
« Last Edit: September 19, 2011, 04:53:15 PM by ethan »
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Re: Sony D50 vs M10 line-in comp
« Reply #20 on: September 19, 2011, 05:10:59 PM »
Yep, don't go much below 2...
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Re: Sony D50 vs M10 line-in comp
« Reply #21 on: September 19, 2011, 05:24:05 PM »
I leave my M10 at unity, which is at 4 on the wheel :)
Schoeps MK 4V & MK 41V ->
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Re: Sony D50 vs M10 line-in comp
« Reply #22 on: September 19, 2011, 09:03:15 PM »
4?

I mostly trust guysonics measurements at 6 on the dial for unity gain.   However, unlike the D50, the line-output is shared with the headphone output.  Perhaps that circuit might add a little bit of gain when set to line, so it may not be a true input/output unity measurement.  That said, 5 seems like a logical number to me being that it is the center of the dial! (it just happens to also be between the two figures mentioned here.)

I think it would be safe to say you can adjust your M10 between 4-6 on the dial without any concern of attenuation or gain noise...
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Re: Sony D50 vs M10 line-in comp
« Reply #23 on: September 19, 2011, 10:40:53 PM »
Yeah, everyones unity is different :P Just do what we say :P ;D
Schoeps MK 4V & MK 41V ->
Schoeps 250|0 KCY's (x2) ->
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Offline Todd R

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Re: Sony D50 vs M10 line-in comp
« Reply #24 on: September 19, 2011, 11:12:01 PM »
If I'm understanding correctly, I don't think the question is about unity, it's about how hot of a signal the d50 can take before brick wall distortion.

I'd agree that as long as you don't need to go below 2 to keep from hitting 0dbFS, you'll be ok. have fun down in NOLA!
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Recorders:  Sound Devices MixPre-6, Sony PCM-M10, Zoom H4nPro

 

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