Alright, here you folks go!
Lineage: Berliner CM33s > Olympus LS-100 (LO XLR Gain & Level Dials set to about 6) > WAV > MacBook Pro > Audacity (L-R Channel Balance & Fades) > FLAC > Mp3 (w/XLD using LAME 3.99.5)
These were recorded with mics arranged according to ORTF, as close to the front-center of the studio as possible:
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http://picosong.com/qB49 (from the short peak of a spontaneous jam)
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http://picosong.com/qB4A (from jamming out Fire on The Mountain)
These were recorded with mics arranged according to X-Y (90°), as close to the front-center of the studio as possible:
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http://picosong.com/qB4p (from a short, spontaneous jam, that the drummer abruptly killed)
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http://picosong.com/qB5n (from a somewhat extended, spontaneous jam)
This was a bit of a rusty session to begin with (drummer was tired, guitarist had work early the next day), plus I (bassist) ripped into one of the calluses on my fingerpicking hand, mid-way through the night, so my playing got pretty, pretty clunky towards the end of the ORTF recording, carrying into the X-Y as well. Regardless, I think the sound is much more accurate with ORTF, and I will likely be using that stereo technique for all subsequent recordings in the studio I currently rent out. Again, if anyone is interested in hearing more, or different types of recordings (musical or not), with either the Berliners, or the LS-100's internal mics, let me know. Enjoy, and I hope this is useful to at-least one person.
P.S. I was wrong about the initial measurements of the studio. It is closer to 20x12 feet, with a 9 foot high ceiling. Guitarist plays through an amp, which is mic'd and sent through two shitty PA speakers, set directly behind the drummer, who is in the back-center of the room. My rather loud hartke bass amp is about 6 feet from the back of the room, hanging out on the far-left side, angled towards the center-right of the room.