I’ve been recording Steely Dead for a few years now, probably 30ish shows, in collaboration with the band.
I’ve been running a pair of mk41s along with a SBD feed. Over time, I’ve found I most like the sound of the mics when they’re placed a bit downstage of the high-hat. Kind of like uber-over heads.
I have used a L/R PA feed, as I have w other bands like Los Lobos. Mostly b/c that’s what’s easy for them. But ahead of last week’s SD tour, I was thinking about their switch to IEMs, and what that would mean for stage sound. I figured that no vocals would be main impact. Then it occurred to me that since I would get my feed as 2 aux bus output channels from the Behringer iem mixer, possibilities opened up.
Rather than L/R, I considered what I wanted to get to supplement the ambient pair. I decided to go with 1 channel of vocals, and 1 with bass, guitar, and keys. At the first show soundcheck, I had the boys individually sing and then play their instrument, and matched their levels. I used an ios app for the Behringer that made it easy. A pair of drummer’s isolating headphones allowed me to hear enough during the show to tweak levels a bit.
Home from tour and listening/mixing, I’m happy with the results and think it sounds better than before.
Here’s a link on the archive:
https://archive.org/details/sd2023-01-21/sd20230121.matrix.2448-06.flacWondering if anyone else is working similarly, and/or has ideas.