Update on this: the Logic Pro piano stems were so impressive I ordered a Mac Mini. I underwent a week of torture as UPS, understandably requiring a signature for delivery, kept changing delivery times, arriving after promissed ends of windows, lost the package once or twice, etc. Set it up and trained myself to do the minimum I needed in order to do stem splitting.
1) on the original file I was dealing with, the piano stem extracted by the M4 chip on the Mac Mini took only 5-10 minutes for a 42 minute piece, and seemed clearer and better even than the non-Apple hack of the stem extractor run. I also ran the iZotope Azimuth module to slightly center the piano, which seemed to help a bit more tha the EQing I had done on the first stem I was sent. Not sure this is optimal, but I am still not enough of a master of this software to be able to do next order improvements.
2) the idea of using iZotope's Azimuth module on the piano stem sent me back to a 2005 tape which I asked about on TS several years ago. I was ideally then placed for the singers, but the piano was way over to the left of the audience and not at all to the front. Earlier attempts to use delays, level changes, and Azimuth had the drawback of working on the voices as well, the result was a bit more listenable in parts but not natural. Short passages sounded good but not the long opera. Running Azimuth on the piano part alone (using the Azimuth "suggest" button to scan the whole file and set parameters), then mixing that back in really fixed up that tape!
3) a recent piano concerto taped from front center also got fixed by separating the piano out, raising the orchestra by 6 dB, and remixing.
Voices and orchestra will be the next test. Meanwhile, the newer version, Logic Pro 12, just droppped, I am waiting for reviews to tell me it is safe to upgrade. I see no mention of any big improvements to stem separation, that would motivate taking a risk (it's a free upgrade, but I don't wnt to lose any of what I just got!).