Topic: JB3 Patch off of a V3 question.

[thesameage]

I have a question that I haven't been able to answer from seaching the site. I'm going to patch off of someone's V3 rig on tuesday night. He runs the digital out from the V3 to his DAT recorder. He said that if I want to patch out, I'll need two XLR->RCA cables and then use a 1/8 adapter to go into my JB3. I'm pretty sure that I don't want to go out to the JB3 input directly, or would I? It looks like the xlr outs he's going to be giving me are analog:
http://www.gracedesign.com/products/V3/V3frame.htm

I have a Denecke AD20. Would it make sense to go XLR-XLR into the AD20, do the AD conversion there and then digital out to my JB3?

Thanks for any advice.

[bhadella]

Go AD20 > optical into JB3. The AD20 will sound better than the a/d in the JB3.

[keepongoin]

Go AD20 > optical into JB3. The AD20 will sound better than the a/d in the JB3.

except for the fact that the AD-20 adds 17 or 18 dB - so if he is running the V3 hot (like most people do), it will be clipping all over the place... unless you have some in-line attenuators.

[thesameage]

That is good to know. Would it still raise the volume that much if I had the AD20 totally turned down? Are attenuators something I could pick up at a place like Sam Ash (I'm in NYC and it's a block from where I work-- they seem to have a lot of this kind of stuff. Also, this isn't going to be the only time I'll patch off of this guy, so it would be worth it to figure out a long term solution.

[keepongoin]

the best / other solution is to get a hosa 312 (AES>optical) converter, and an AES>AES cable. 

or to get a HOSA ODL 276 to patch off of his coxial signal coming out of his DAT...


The V3 will put out line level - whatever his gain is set at... throw on a minumum of 17 dB extra - and that is with the AD-20 at zero... the recording will sound like crap... 

you should be able to some Shure (-15 db) attenuators at Sam Ash if you want to do go that route... I don't think they are all that expensive...

but the AES signal converter would be the way to get the V3 sound right out of his V3 onto your jukebox.

[thesameage]

Well, I think he's using the optical signal off of his V3 for his DAT. Maybe the way to go is to come straight off of the DAT digitally.

I'm going to look into the attenuators too. I think it might be a siutation where he's pretty busy and the XLR's out are the easiest thing for him to offer, so that's my best option to make his life easy.

[keepongoin]

optical > DAT?

that would be weird to me... as far as i know, coaxial and 7-pin inputs are what DAT recorders usually have.

it could be that he doesn't have optical output on his V3  - most of them do not if they were produced before last year... maybe serial number 400 or 450 or some where in there. 

[thesameage]

Sorry, I meant coaxial coming off of his V3 into his DAT.

[Brian Skalinder]

hosa 312 (AES>optical) converter, and an AES>AES cable.

or to get a HOSA ODL 276 to patch off of his coxial signal coming out of his DAT

Agreed, these are your best options.  Hosa ODL-276 is probably your best bet if you plan on continuing to patch with your JB3, since most taper ADCs / decks will output coax S/PDIF to patchers.  Check the JB3 FAQ in the Knowledge Base | Archive | Recording Gear forum for a touch more detail on patching with the JB3.

[wbrisette]

the best / other solution is to get a hosa 312 (AES>optical) converter, and an AES>AES cable. 

Will the JB3 handle the AES signal that has been converted? I know that folks that have tried their D7 and D8's out of the DEVA can't get a digital signal because they don't like the AES signal (and even in a chain with a DA-P1, downstream devices still have to contend with the AES signal).

Wayne

[Brian Skalinder]

Will the JB3 handle the AES signal that has been converted?

Users may set the V3 AES1 to output "consumer format data" instead of "professional format data" , per the V3 manual.  I know V3 AES1 (consumer format) > ODL-312 > JB3 works since I ran it for quite a while.  Never tried AES1 (professional format data) or AES2 (not selectable, it's always pro format data).  Not sure what precisely they mean by consumer v. pro format data, though. 

[wbrisette]

Not sure what precisely they mean by consumer v. pro format data, though. 

My guess would be SPDIF run at 110 ohms (the AES standard). Thus consumer "AES", whereas the Pro AES is probably the real AES signal. I have a couple of the converters that change the 110 ohms back to 75 ohms. However, I still haven't had any luck outside a DA-P1 of feeding anybody a digital signal.

Which brings up another interesting question. Obviously the V3 has two versions of the AES it can produce. What does the 722/744T offer? With more and more of these showing up in the field, it seems that the AES format may be an issue for digital feeds very soon (if devices don't support the pro version of the AES format).

Wayne

[johnw]

I've wondered whether the MiniMe has consumer or pro AES, but it definitely works with a 312>JB3 too.

[F.O.Bean]

v3>312>jb3 works w/ both pro and consumer AES signals

[Tim]

I've wondered whether the MiniMe has consumer or pro AES, but it definitely works with a 312>JB3 too.

the minime is pro, you cannot run anything but a pro deck off of it's aes feed