I would use almost any other deck than the d6... That has a dc brush motor and has noise that the 24/96 will pick up on playback...
Thanks for the input, that is good to know, but bad for my bottom line
I own one of these too, Onkyo TA-RW544, just a generic Circuit City deck, anyone know anything about these worth noting?
Guess I never realized this would be a pain in the butt... but to get it right is better IMHO
Well, the playback deck in your transferring chain is about the equivalent to what the mics are in a taping rig. It's the most important part. You want to get as much "quality" as possible out of the source, i.e. the tape, because the information that's lost here cannot be regained even with a $ 1k ADC.
Seriously the ADC, sample rate and word lenghts aren't all that important, but you'll only get a nice clean, low noise transfer if you use a high quality, properly calibrated and adjust the azimuth.
If you don't want to or can't afford a good deck, why not ask someone else who has some experience with tape transferring to digitize your masters? You will certainly find someone trustworthy here on this board.