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Author Topic: MSH-1A omnis, part deux  (Read 13783 times)

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Offline rowjimmy

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Re: MSH-1A omnis, part deux
« Reply #30 on: August 29, 2006, 11:22:28 AM »
FYI -He's card his Cards up on the site now too. Dude is a mad man cranking stuff out down there, I guess. Pricing on the cards is the same (or mighty close iirc) as that for the omnis.

Additionally, he now has a page up for his 'mobile' line: http://www.naiant.com/studiostore/mobilemicrophones.html
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Offline cleantone

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Re: MSH-1A omnis, part deux
« Reply #31 on: August 29, 2006, 11:35:16 AM »
I want to hear the tube mics.

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Re: MSH-1A omnis, part deux
« Reply #32 on: August 29, 2006, 11:39:40 AM »
As do I. I'm likely making a purchase later this month and I might throw one of those in the mix, just to see (hear) how it behaves...
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Offline davepeck

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Re: MSH-1A omnis, part deux
« Reply #33 on: August 29, 2006, 11:49:04 AM »
did he change the name from MSH-1A to MSH-1O?  ???
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Offline mmmatt

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Re: MSH-1A omnis, part deux
« Reply #34 on: August 29, 2006, 12:09:35 PM »
Quote from: Naiant website


Special Offer!
 
Previous Customers:  Purchase any pair of MSH-1 series microphones and receive free matching!
 
New Customers:  Receive free matching on a pair of MSH-1 series microphones when purchasing a second pair of MSH-1s or an MSH-4!
 
Please use the single microphone button to purchase a quantity of 2 MSH-1 series microphones to receive your discount, and include a comment with your order requesting the matched pair (a $6 savings from the price of the matched pair).  Customers who are purchasing the stereo kit, or use the matched pair button will receive a $6 refund via Paypal.
 
Offer expires September 30, 2006


nice offer!

matt
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Offline TNJazz

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Re: MSH-1A omnis, part deux
« Reply #35 on: August 29, 2006, 12:15:14 PM »
did he change the name from MSH-1A to MSH-1O?  ???

yes.  O for omni.  C for cardioid.
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Offline mmmatt

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Re: MSH-1A omnis, part deux
« Reply #36 on: August 29, 2006, 12:16:54 PM »
did he change the name from MSH-1A to MSH-1O?  ???

yes.  O for omni.  C for cardioid.
is the max spl rating the same?  I seem to remember the 1a being 115db, or am I confused.

matt
I do think taping is the reality of the business..it is also an impetus for artists to create studio CDs that are ART, not just another recording...    Fareed Haque  2-4-2005




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Re: MSH-1A omnis, part deux
« Reply #37 on: August 29, 2006, 12:19:36 PM »
Hmm... may have to pick up the omnis. They could be good for a 4 mic mix...

Offline Chuck

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Re: MSH-1A omnis, part deux
« Reply #38 on: August 29, 2006, 04:06:18 PM »
Hopefully Jon will chime in, but this is what he told me about the MSH-1O's:

Yes, the electronics are a little different (than the 1A's), so I could use the same
bits for the 1O and 1C.  Sensitivity is higher, SPL handling is higher
by 6dB, and the 1C is much higher, 124dB at 1kHz, but that is where the
mic is most sensitive, so for bass frequencies it could easily be 10dB
more. The 1C is tailored response though, so
I am not sure how desirable it would be for some applications.

Looks like I need to get the 1O's now... :)
Reality is merely an illusion, albeit a very persistent one.

Microphones: AKG C 480 B comb-ULS/ CK 61/ CK 63, Sennheiser MKE 2 elements,  Audix M1290-o, Micro capsule active cables w/ Naiant PFA's, Naiant MSH-1O, Naiant AKG Active cables, Church CA-11 (cardioid), (1) Nady SCM-1000 (mod)
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Recordings on the LMA: http://www.archive.org/bookmarks/ChuckM
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Re: MSH-1A omnis, part deux
« Reply #39 on: August 29, 2006, 07:34:49 PM »
Jon, got your loaner today...WIll be throwing it up against 5 or 6 other omnis for kicks.

Teddy
Yes, the 1A is retired.  I needed a circuit that would work for the cardioid and the omni to keep my life uncomplicated, and the 1A circuit didn't.  I also listened to the cries for higher SPLs, so the 1O is higher.  In fact during my very intensive testing in development of the 1O, I noted that the 1A was likely 114dB +/- 2dB rather than 116 +/- 2dB.  Sometimes statistics are like that  :-[ when I can't test 30 microphones.  So the 1O is more conservatively rated at 122; actually I did a test today at 126 @ 0.8% THD.

Long story short, if you have an SPL problem with the 1A, shoot me an email.  If you don't and don't think you will, hold on to the 1A, there is no other advantage to the 1O.

The tube mic has highly variable distortion.  I wouldn't recommend it for any sort of recording where you desire accuracy.  While it doesn't clip until about the same level as the 1O; the distortion is around 2-4% for a very wide range below that, which is sort of the point.

I offer 1Cs in stereo pairs although I am somewhat ambivalent about it; I really don't know if I would consider it flat enough for that sort of thing, but enough people have asked me about it that it's available . . .

I'll have more about the 1M later, but since it is really designed for flexible power supplies, there is a limit to how much I can push SPLs.  I think it might get up to 1A levels, but I don't know about higher, and of course that would also depend on the power supply used . . .

Offline TNJazz

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Re: MSH-1A omnis, part deux
« Reply #40 on: August 30, 2006, 11:46:37 AM »
Jon, got your loaner today...WIll be throwing it up against 5 or 6 other omnis for kicks.

Loaner?  I woulda thought you had deep enough pockets for a $20 omni, Ted   :P
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Re: MSH-1A omnis, part deux
« Reply #41 on: August 30, 2006, 11:59:42 AM »
Jon, got your loaner today...WIll be throwing it up against 5 or 6 other omnis for kicks.

Loaner?  I woulda thought you had deep enough pockets for a $20 omni, Ted   :P

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Offline Ryan Sims

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Re: MSH-1A omnis, part deux
« Reply #42 on: August 30, 2006, 12:16:48 PM »
:lol:
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Re: MSH-1A omnis, part deux
« Reply #43 on: September 25, 2006, 07:43:15 PM »
Jon, got your loaner today...WIll be throwing it up against 5 or 6 other omnis for kicks.

Teddy

Any results to report, Teddy?

I got my pair of MSH-1Os today so I'm gonna throw them up against these oktavas i have onhand. One thing about the the dmic-20 is that it's ideal for duplicating preamp gain...


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Offline Chuck

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Re: MSH-1A omnis, part deux
« Reply #44 on: September 25, 2006, 08:48:09 PM »
I haven't had the chance to check the SPL handling ability of the 1O's. Has anyone used them in a venue recording a PA system yet?
Reality is merely an illusion, albeit a very persistent one.

Microphones: AKG C 480 B comb-ULS/ CK 61/ CK 63, Sennheiser MKE 2 elements,  Audix M1290-o, Micro capsule active cables w/ Naiant PFA's, Naiant MSH-1O, Naiant AKG Active cables, Church CA-11 (cardioid), (1) Nady SCM-1000 (mod)
Pre-amps: Naiant littlebox, Naiant littlekit v2.0, BM2p+ Edirol UA-5, Church STC-9000
Recorders: Sound Devices MixPre-6, iRiver iHP-120 (Rockboxed & RTC mod)

Recordings on the LMA: http://www.archive.org/bookmarks/ChuckM
Recording website & blog: http://www.timebetweenthenotes.com

 

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