Obviously everyone agrees that as your location and room become less favorable, hypers become a better choice. But even in a good room in a good location there may be times when you might want to run hypers. For example, if I was in the sweet spot in a good small theater taping something like progressive electric bluegrass, eg RRE, I would go cards. Same room, same spot, for someone like Phil Lesh or Gov't Mule, I would definitely consider hypers, just because even in a good room in the sweet spot when Phil or Warren crank it up you are gonna get reverb, and hypers can clean up the sound a little.
Bottom line is IMHO location and room are by far the biggest variables, much more so than patterns and configs. Tape anyone in the mid orchestra of a venue like Ovens Auditorium in Charlotte and you are gonna pull a sweet recording with either pattern. Tape anyone in the back of the Beacon under the balcony with a chatty NY crowd, and you'll discover that hypers don't help much and in general there is no miracle microphone pattern that can make salad outta shit...