This morning's gig was full set of tuned percussion (marimaba, vibes, glockenspiel, etc etc), Steinway grand piano, and violin, playing contemporary classical music in the fine new recital hall here. By force of circumstance I had to record it with a stereo pair (Sennheiser MKH MS) and a single spot mic (for the violin). Monitoring was via Naiant's excellent custom built four-channel monitor mixer to give me an immediate feel of the mix I can get in post-production. I sat there with a silly grin on my face listening to excellent sound - lots of crisp sparkle, bottom end of the piano all there, silent between movements (the hall is about as quiet as any on this planet) and peaking to -3dB on the percussion transients.
One hell of a recorder - and all in a palm-size package.