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Quote from: John R on March 09, 2004, 05:56:11 PMQuote from: Tim on March 09, 2004, 03:51:18 PMso you were going to get a sd722 and run 16/44.1?my whole reason for getting it is to drop tapes and be able to run 24/96. but it's going to be a bummer in a festival environment if it doesn't have 40gigs. then, at least you could get a full day on it and dump it at night.we'll see, when it finally makes it to market. i'll bet a bunch of people will drop in larger drives like they are with the jb3. should we start a yahoo group already? 7xxtapers?jrwhy not 24/48 then? you get close to 20 hours at 24/48 at 20 gigs. or some at 24/48, others at 24/96. i would prefer 40 gigs as well, but it's not that big of a deal.
Quote from: Tim on March 09, 2004, 03:51:18 PMso you were going to get a sd722 and run 16/44.1?my whole reason for getting it is to drop tapes and be able to run 24/96. but it's going to be a bummer in a festival environment if it doesn't have 40gigs. then, at least you could get a full day on it and dump it at night.we'll see, when it finally makes it to market. i'll bet a bunch of people will drop in larger drives like they are with the jb3. should we start a yahoo group already? 7xxtapers?jr
so you were going to get a sd722 and run 16/44.1?
one possible problem with the sd box run line-in is that gain is adjustable is 1/2 db increments. i don't really want that stepped gain "click" in my recordings. makes it awfully tough to run with a 148 or psp2.
I sure would like to know why they chose to have line level input adjustments at .5 db increments.
its a conspiracy against the m148... Apogee screwed them fist, now Sound Devices.