Someone wrote me a private message asking about that, whereupon I went back and re-edited my posting. I had simply assumed the nominal voltage; sorry for any confusion this may have caused.
A modest proposal: Perhaps Mr. Blanc at Sonosax could be asked what voltage his preamp actually puts out. 48 Volts, if that's what it is, would only make the capsules ~1.9 dB less sensitive than the nominal voltage. The exact voltage has no other effect on sound quality as long as it stays constant. And 1.9 dB lower sensitivity wouldn't make an audible difference very often if ever, since the noise floor is so low already. I wouldn't assume that it would necessarily be preferable to have the "Lemosax" provide 60 Volts rather than 48, not knowing the overload point of the preamp's input circuit. One has to look at these things as systems, and not just take one parameter out of context.
For many years Schoeps, Neumann and AKG made 48-Volt phantom-powered microphones with capsules that had originally been designed for 60-Volt polarization, but which were polarized in those models by the incoming 48 Volts without a DC converter, mainly for the sake of a low-current design. This includes the Schoeps CMT 50 series, the AKG C 414 EB-P 48 and almost the entire Neumann fet 80 series including the U 87 and KM 84. Those are still considered to be very good microphones today, so evidently that wasn't such a scandalous thing to do, engineering-wise.
--best regards