I just listened to Ophelia. That is a really nice image. Great job!!
Sometimes Stage Lip is a crap shoot. Frequently it's excellent, sometimes it's not. If the band is mostly instrumentals, the odds increase. If vocals are an important part of the band, I probably won't. In my mind, the thing that makes Stage Lip work so well is that you are picking it up directly with our good condensers mics, instead of going SM57 > mixer > PA > our good condensers mics. As long as you can get a decent balance.
Here is a good one, and it's almost entirely instrumental. I like it, but it's not as busy as yours.
http://www.archive.org/details/delf2011-06-18.mk4.flac16fHere is one that is weak in the vocals.
http://www.archive.org/details/aeg2011-06-24.mg210-sbd-mix.flac16f I had mics near the singer's monitor, + a SBD feed. I thought that might be enough after mixing, it wasn't. Just one of those times I guessed wrong.
Here is a show where I ran 4 channels... 2 AT853's stage lip + 2 ADK-TLs out in the room a little ways. I didn't mix them, instead I went with the sound of the ADK's for the first set, but they were too chatty for the second set so I went with the stage lip AT's.
Another thing about running stage lip... cheap mics can sound really good. The sound difference between low end mics versus high end mics becomes much smaller stage lip than it is "from the section". One of my biggest fears with running stage lip is that some wook will spill a drink on my mics, and no tape is worth a $500 repair bill. In the past this fear made me a nervous wreck and I couldn't enjoy the show. In those cases, now I'll use some other mics like my AT853's... they aren't shit mics, they'll pull a great tape, and because I happen to own about 8 card caps so if something happens to one, no big deal.