I have not seen this talked about much, but I have found it very helpful to time align spot/solo mics with my main microphones. The time differences between mics can be significant and can really screw up imaging and in extreme cases create comb filtering.
First of all, a dog clicker can be really useful:
http://www.petco.com/product/9698/PETCO-Dog-Training-Clicker.aspxThese clickers produce a sharp click that can be used to check room decay time, mic phase, timing, mic orientation and placement, and presumably train your dog. The clicker's sound is not quite an impulse function, but it does contain a wide frequency spectrum. I have one on my key chain and one in my gear bag.
To see how the clicker can be used to align mic signals, see the attached screen shot which shows one click picked up by two mics. The upper signal is the Mid mic from the main MS pair, and the lower signal is the spot mic used for vocals. Note that the mics are the same polarity. The difference between the two clicks is 179 sample, which is 179 samples / 44100 samples per second = 0.004 seconds or 4 ms. 4 ms is about 1.4 meters or about 4 feet. Using a DAW it is simple to delay the spot mic to time align with the main mic. 4 ms is not a big difference, but it is audible. When the solo mic is time aligned, the vocalist seems to 'snap' into place in the recording; without time alignment, the image is more vague. In other recording situations the time difference between main and solo mics can be much greater. Last December I recorded a choir with a spot mic on a cello soloist. In that case the time difference was about 11 ms.
Significant time differences can also occur when mixing a board feed with a main pair. When getting a board feed I try to hop up stage to record timing clicks. If that is not possible I'll try to time align based on some impulse in the performance such as a rimshot.
So my two points of this post are that a dog clicker can be really useful and time alignment of main and spot mics can improve your recordings.