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Author Topic: Looking for some thoughts on a Rube Goldberg way of setting up apiar of B-3's  (Read 9222 times)

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Offline DiggerinVA

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I am just looking for a inconspicuous way to place a set of B-3's up, say on a table about 4 feet up. I really don't want to use a stand and say the SP t-bar. So I am looking for ideas. I have not searched simply because I can't think of a good set of search parameters.
Thank You
Sony C38B's --> Lunatec V2-->PMD661
B-3's --> Tinybox 1.5 --> PCM-M10

Offline Gutbucket

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Gaff tape mics/wires to underside of table with the caps protruding an inch or so, spaced a few feet apart around the edge.
musical volition > vibrations > voltages > numeric values > voltages > vibrations> virtual teleportation time-machine experience
Better recording made easy - >>Improved PAS table<< | Made excellent- >>click here to download the Oddball Microphone Technique illustrated PDF booklet<< (note: This is a 1st draft, now several years old and in need of revision!  Stay tuned)

Offline DiggerinVA

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Thank You that would be inconspicuous and very useful from time to time. But I don't care if it is seen, and kind of want them elevated. Maybe some sort of antennae? IDK
Sony C38B's --> Lunatec V2-->PMD661
B-3's --> Tinybox 1.5 --> PCM-M10

Offline Ultfris101

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Lee employed a set of old TV rabbit ears at one point for one of his surround setups. pretty cheap and easy to telescope for use and hide away after. Some even have a weighted base/ is that the kind of thing?
Mics: Schoeps MK5,MK41 CMC6,KCY,KC5 | AKG ck63,ck1 C460B,C480B | DPA 4061 | Naiant X-R card,hyper | CA-14o,c
Pres: Sound Devices USBPre2 | Naiant Tinybox | Church Audio 9200, UBB
Recs: Zoom F8 | Edirol R-44 | Sony PCM-M10 | Tascam DR-2d
Video: Sony CX550(2), CX580, HX9

LMA: http://archive.org/bookmarks/ultfris101

Offline Gutbucket

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Telescopic TV antennae work great for miniature omnis.  They don't appear like microphones / recording gear to most people and their thin cross-section helps the black ones disappear visually when used FOB on a stand, but they would not be particulary inconspicuous on a table. 

You could bend something suitable out of a wire clothes-hanger.

I won't argue that it's necessarily the best solution for your case, but sometimes lower is OK, or even better.  As long as you have a clear line-of-sight from the mics to the sources, be that PA cabs, direct on-stage sources, or a combination of the two, height shouldn't matter as much at a seated table gig- certainly not as much as at a standing-room gig.  If in the front row of tables, having the mics lower can actually help by increasiung the ratio of direct sound verses ambient room sound (more of the musicians, less of the room and crowd).  Attaching the mics to the edge of a table can also be advantageous by eliminating the influence of reflected sound from table surface reaching mics elevated above it.
« Last Edit: January 16, 2013, 10:04:05 AM by Gutbucket »
musical volition > vibrations > voltages > numeric values > voltages > vibrations> virtual teleportation time-machine experience
Better recording made easy - >>Improved PAS table<< | Made excellent- >>click here to download the Oddball Microphone Technique illustrated PDF booklet<< (note: This is a 1st draft, now several years old and in need of revision!  Stay tuned)

Offline Ultfris101

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Seems like anything that gets up 4 feet over a table is going to be at least a little conspicuous. Maybe you could turn the rabbit ears into a center piece with some artificial ivy and stuff. Not inconspicuous but definitely not a dead giveaway that it's a mic stand. Sort of being funny, but kind of serious.

Digger, what's the context?
Mics: Schoeps MK5,MK41 CMC6,KCY,KC5 | AKG ck63,ck1 C460B,C480B | DPA 4061 | Naiant X-R card,hyper | CA-14o,c
Pres: Sound Devices USBPre2 | Naiant Tinybox | Church Audio 9200, UBB
Recs: Zoom F8 | Edirol R-44 | Sony PCM-M10 | Tascam DR-2d
Video: Sony CX550(2), CX580, HX9

LMA: http://archive.org/bookmarks/ultfris101

Offline DiggerinVA

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Something to set on a table, that is easy to overlook. Friends have small bands in small places. I really don't want to be obstructive.
Sony C38B's --> Lunatec V2-->PMD661
B-3's --> Tinybox 1.5 --> PCM-M10

Offline Neilyboy

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http://www.amazon.com/gp/product/B0019ICXE8/

might work for ya.. I have run mine on stage with this stand...

Neil
Mic's: AKG C214's, Line Audio CM3, AT4041SP, AT853 (C, SC, O), AT943 (C, H)
Pre's: Sound Devices MixPre 2
Rec's: Sony PCM-M10, Edirol R-44, Tascam DR60D MKii, Tascam DR70D x 2

Offline DigiGal

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Here's an option that begs DO NOT TOUCH...

Sam Ash has them Click Here


« Last Edit: January 16, 2013, 05:59:27 PM by DigiGal »
Mics: AKG CK91/CK94/CK98/SE300 D-330BT | DPA 4060 4061 4266 | Neumann TLM 103 | Senn ME66/K6/K6RD MKE2 MD421 MD431 | Shure VP88 SM7B SM63L SM58 Anniversary Cables: Gotham GAC-4/1 Quad w/Neutrik EMC | Gotham GAC-2pair w/AKG MK90/3 connectors | DigiGal AES>S/PDIF cable Preamp: SD MixPre-D Recorders: SD MixPre 6 | Marantz PMD 661 Edit: 2011 27" 3.4GHz Quad i7 iMac High Sierra | 2020 13" MBA Quad i7 Catalina | Wave Editor | xACT | Transmission | FCP X 

Offline Gutbucket

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I built the thing pictured below back in '06 as an all-in-one device to take along to a guitar camp as something I could quickly place on a table or on the floor in front of me to record classes and sessions.  It is a hemispherical baffle with two miniature omnis on opposite sides, with the mic preamp and recorder stuffed into the baffle.  The baffle in the middle compensates for having less spacing between the omnis than would be optimal without a baffle.  The idea was to get something similar to head-worn (HRTF) omnis in a seperate unit that was very easy to setup and start & stop and check levels, etc. while fitting in the outside pocket of my guitar bag and it worked nicely.  Mics in this case were DPA miniature omnis in their special boundary mounts and the DPA preamp for them, but Countryman B3s would work similarly and using the boundary mounts isn't important.









Details and photos of building the thing are here- http://taperssection.com/index.php?topic=70134.msg939807#msg939807

Something similar could be placed under a hat or something. Or to elevate it, you could always show up over-dressed in a tuxedo with tails and a tall stove-pipe top hat.  Attach the B3 to either side of the hat somewhat near the top and set that on the table.  ;)

musical volition > vibrations > voltages > numeric values > voltages > vibrations> virtual teleportation time-machine experience
Better recording made easy - >>Improved PAS table<< | Made excellent- >>click here to download the Oddball Microphone Technique illustrated PDF booklet<< (note: This is a 1st draft, now several years old and in need of revision!  Stay tuned)

Offline DiggerinVA

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Here's an option that begs DO NOT TOUCH...



Where can I get one.

Neilyboy that is a thought. I will mull that over a bit.

Gutbucket very interesting.
Sony C38B's --> Lunatec V2-->PMD661
B-3's --> Tinybox 1.5 --> PCM-M10

Offline DigiGal

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^^^ Added a link for this in original post.
Mics: AKG CK91/CK94/CK98/SE300 D-330BT | DPA 4060 4061 4266 | Neumann TLM 103 | Senn ME66/K6/K6RD MKE2 MD421 MD431 | Shure VP88 SM7B SM63L SM58 Anniversary Cables: Gotham GAC-4/1 Quad w/Neutrik EMC | Gotham GAC-2pair w/AKG MK90/3 connectors | DigiGal AES>S/PDIF cable Preamp: SD MixPre-D Recorders: SD MixPre 6 | Marantz PMD 661 Edit: 2011 27" 3.4GHz Quad i7 iMac High Sierra | 2020 13" MBA Quad i7 Catalina | Wave Editor | xACT | Transmission | FCP X 

Offline mysticeyes

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Gaff tape mics/wires to underside of table with the caps protruding an inch or so, spaced a few feet apart around the edge.

Would this arrangement pick up noises from glasses and dishes, people with no rhythm "drumming" on top of the table, etc.?

Offline justink

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take a date.  Purse on table.  clip mics on purse.
Mics:
DPA 4023 (Cardioid)
DPA 4028 (Subcardioid)
DPA 4018V (Supercardioid)
Earthworks TC25 (Omni) 

Pres and A/D's:
Grace Design Lunatec V3 (Oade ACM)
Edirol UA-5 (bm2p+ Mod)

Recorders:
Sound Devices MixPre10 II
Edirol R-44 (Oade CM)
Sony PCM‑M10

Offline Gutbucket

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Gaff tape mics/wires to underside of table with the caps protruding an inch or so, spaced a few feet apart around the edge.

Would this arrangement pick up noises from glasses and dishes, people with no rhythm "drumming" on top of the table, etc.?

Yes, but any arrangement of omnis on the table will.  Hanging them out an inch or two isolates them a somewhat from structrue-transmitted vibration through the table top via the complience of the cable.  Being mounted lower can actually help reduce noises from glasses and the crowd if you can arrange it to have a direct line-of-sight to the sound sources you want, since the other sounds are then less direct and somewhat more blocked by the table than if they were mounted above it with a directly line to the noise sources.

The best answer is not to let some idiot bang on your table top.

take a date.  Purse on table.  clip mics on purse.

Simple and works, as long as your date isn't a table top banger.. at least in the sense refered to above.  ;)
musical volition > vibrations > voltages > numeric values > voltages > vibrations> virtual teleportation time-machine experience
Better recording made easy - >>Improved PAS table<< | Made excellent- >>click here to download the Oddball Microphone Technique illustrated PDF booklet<< (note: This is a 1st draft, now several years old and in need of revision!  Stay tuned)

 

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