Topic: Stereo setup for quieter affairs

[TAlderson]

So, I'm looking for something to record relatively quiet, small ensembles in intimate settings (small recital halls, small-ish churches, even some parlors/living rooms). No sound reinforcement, decently close to the performers, and no need for stealth. I'm looking for something to go into an M10 (mini jack, PIP but no phantom) and I was hoping to keep them in the less than $250 range.

I was thinking possibly a set of CA-11s (cardioid), which I would setup in XY, but would give me the option of setting up in ORTF if I wanted. Any DIY solutions for mounts for that would be appreciated. Or, I could get one of the AT stereo mics (AT822 or AT825), which sell used on ebay in my price range, would be battery-powered, and are set up XY. I've used AT822s for other recording purposes and like the sound, but I'd be interested to hear thoughts on these two options, or any others. The CAs would be enough under budget I'd consider getting the omni caps for greater flexibility or maybe an external pre or something, but for the sake of comparison just compare the mics straight-up.

Thanks!

[thunderbolt]

The CA-11s would give you flexibility in your mic configuration, as you say.  The AT822/825 capsules, IIRC, are set at 110 degrees, and are not strictly XY, because they are near-coincident, not coincident.  The ATs can sound really good when they are placed closely and correctly, so you'd have to play around with location to get the best sound, as with any situation.

I, like many others, have built mounts from PVC pipe and it works very nicely.

You can go to LMA and listen to samples from the ATs and the Churchs to get a sense of the difference.  Good luck!

[Church-Audio]

I would get a pair of ca11 card / omni with a 9200 preamp.

[F.O.Bean]

I would get a pair of ca11 card / omni with a 9200 preamp.

BINGO!!! I would do the same!