I can't imagine trying to work with EQ without having immediate feedback combined with fine granular control. It's simply too exacting, fundamental, and important. One has to be able to listen accurately while making EQ decisions and adjustments, otherwise it's like trying to draw or paint in the dark. Plato exiting the allegorical cave and experiencing a greater-dimensional reality then heading back in and trying to translate that experience via shadows projected on the wall.
It's difficult enough working around the deficiencies of the monitoring system so as not to unwittingly correct for them while making EQ modifications to the recording- Plato so overwhelmed by the near impossible task of translating the greater reality outside the cave through flickering shadows on the wall, that he completely forgets he's wearing badly scratched and oddly-tinted prescription sunglasses.
