For others following, achieving sufficient dead air space around the microphone is the key to any windscreen doing its job correctly.
In selecting shirts under which mics are worn, one thing I'd do was hold the material up over one ear and listen through it while rubbing my fingers together to create low level high frequency noise. In that way I could select whichever fabric minimally attenuated high frequencies. Wasn't selecting for wind-stoppage though, which would likely be counter to that. Ideally wish to optimize for both, but effective wind stoppage is the primary goal. High frequency attenuation can be effectively corrected with EQ, at the cost of raising the noise floor by the same amount in the affected frequency region, making it far less of a problem than wind noise.