> Was half-biting my tongue awaiting your response!
Um, please don't injure yourself. If the clone microphone is constructed the way the Neumann U 87 series is (this includes the U 67, the M 269, the U 77 and the present-day model U 87 A in addition to the U 87 itself), the capsule head can easily be removed from the amplifier/body; the capsule head has pins that plug into socket holes in the amplifier/body. So if someone made a similar socket and attached the FET stage circuitry to it, no modifications to the capsule head would be needed, and you would preserve the option of using the mike as originally designed OR using it with the (mainly) remote electronics.
Keep in mind that all the single-channel mikes of this series have rather sophisticated low-cut filtering (which in the U 67 was the subject of a patent, since it mainly occurs before the tube stage) and high-frequency reduction that involves the output transformer in a feedback loop. When the first batch of mikes with this type of capsule were assembled as prototypes, still under the name "U 60" (1960 having been the year of their planned introduction), the results turned out to be too bright- and harsh-sounding for the tastes of that time, and the roll-off network (according to the repair and calibration specs, 7 dB response reduction at 16 kHz relative to the 1 kHz sensitivity) was then added to the circuit to compensate.
This coincided with the name change, reportedly suggested by the late Stephen Temmer of Gotham Audio (Neumann's U.S. distributor and the person most responsible for their becoming aware of public relations and the importance of brand "image"), to "U 67". The new microphone was intended to replace the U 47, which was being discontinued since Telefunken no longer manufactured the VF 14 vacuum tube on which its circuitry was based; Temmer wanted to convey a sense of continuity with the older microphone. (See attached PDF from Neumann on the history of the U 60/U 67.)
--best regards