Okay.... I have ambitions of becoming a laptop filed recordist. I've been screwin' around for a year or so with a MD, and some cheap ass mic built by Sony. It has lasted me this long, but now I'm ready to upgrade. Gotta feed the monkey, right?
Anywho.... I'm stuck in this rut on what mics to get. I mean Schoeps, Neumann, AKG, Shure, Nagami-what-the, it's overwhelming to say the least. Then you have people talking about bass distortion and subway cars running under ground at 10hz. WHEW!! I'm frazzled. I'm not afraid to read, it's the searching and finding the reading material that is killin' me. I should probably get to my question now.
How do you pick out a microphone (or microphones) to field record? Let's say I have $1,000 (USD) and I want to buy 2 mics. I want versitility, as well. I would like to go from small ass bar to outdoor patio, to rock-and-roll sized amphitheatres. I'm not too concerned with stealth at this point. One thing at a time. I would like to be able to record a band like Phish, or WSP, or Stockholm Syndrome, or Medeski Martin, and Wood. Am I asking too much? Does such a microphone (or pair of) exist? One person has recommended Neumann's, but finding the right Neumann has proven challenging.
Ultimately, I'll get a stand, and shock mounts, and wind dampners, cables, etc. I'll wrap it all up nice and plug it into an Apogee mini-me (btw - can someone tell me how the gain is on one of these things??), then usb that sum beeyotch to my laptizznop running WaveLab5 (will I be able to run 96/24 using wavelab, in light of the wav file size restrictions). Sound like a plan?
At first, I couldn't believe how much money you people spent on your rigs. After doing more research, I really had NO IDEA!
Love, and Trinity!