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Author Topic: Phantom power and the PMD 670  (Read 3198 times)

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Offline macroint

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Phantom power and the PMD 670
« on: September 23, 2004, 04:04:11 PM »
The specs for the Marantz PMD 670 list a 48v Phantom Power....can that be used for the mics or do you need something like Denecke PS-2 as well?

Thanks,

Jeff
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Offline twatts (pants are so over-rated...)

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Re: Phantom power and the PMD 670
« Reply #1 on: September 23, 2004, 04:11:42 PM »
48v provides power for most mics.

Look at the specs for mics and you'll see "power requirments".  Look for one that says 48v.

Here are the mics I use (I use the older Type IV, the new ones are "Hamburg" and "Vienna"):

http://www.adkmic.com/specs/LEpair.html

You'll see under "operating voltage" it says 48 v phantom power.

I would pick up the ADK TLs that are for sale in the Yard Sale.  Very good mics, changes patterns, comes with everything you need except t-bar and stand. 

Terry







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Offline dnsacks

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Re: Phantom power and the PMD 670
« Reply #2 on: September 23, 2004, 04:14:19 PM »
NOTE -- Doug Oade has commented that the pdm670s analog stage is  NOT suited for concert recording as delivered.  Doug can perform modifications to this unit to bring its analog stage up to that of a tascam dap1. 

FYI


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Re: Phantom power and the PMD 670
« Reply #3 on: September 23, 2004, 04:16:30 PM »
Macro:  GO here and read up on the Marantz PMD670:

http://www.oade.com/digital_recorders/hard_disc_recorders/PMD-670.html

The Oade Brothers are famous among the tapers.  They do a lot of testing and wokring for our community.

Terry



***Do you have PHISH, VIDA BLUE, JAZZ MANDOLIN PROJECT or any other Phish related DATs/Tapes/MDs that need to be transferred???  I can do them for you!!!***

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Sony PCM R500 > SPDIF > Tascam HD-P2
Nakamichi DR-3 > (Oade Advanced Concert Mod) Tascam HD-P2
Sony MDS-JE510 > Hosa ODL-276 > Tascam HD-P2

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Offline Nick Graham

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Re: Phantom power and the PMD 670
« Reply #4 on: September 23, 2004, 09:38:49 PM »
A guy I know here in Nashville has a PMD 670, and while I've never heard any shows he's pulled, he's told me numerous times that an external pre and A/D are pretty much a necessity.

He tapes a lot of quieter bluegrass and acoustic shows, and he's had the *extremely* noisy pre-amp on the PMD 670 ruin more than one show.

Right now nothing...in the past: Schoeps CMC6, AKG 480, AKG 460, AKG 414, MBHO 603a, Neumann KM100, ADK TL>Schoeps MK4, Schoeps MK2, Schoeps MK41, AKG ck61, AKG ck62, AKG ck63, Neumann AK40, Neumann AK50, MBHO ka200>Lunatec V2, Lunatec V3, Apogee Mini-Me, Oade M148, Oade M248, Sound Devices MP2, Sonosax SXM2>Sony (mod)SBM1, Apogee AD500>D7, D8, D100, M1, R1, R4, R09, iRiver HP120, Microtrack

 

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