Having done this with DPAs (Matt Haimovitz), the answer is: It depends on what you want to accomplish. I miked from WAY up close (18" from the bridge) and as a result, lost a lot of the natural reverb of the instrument and the room. The recording was very clean and detailed, but not the most pleasant thing to listen to. For a stand-alone recording, I would have been better off moving back to about 5 feet. I would have lost some detail (but that's a good thing - losing fingers on the strings and the initial attack of the bow), but would have gained a lot in what the characteristic sound of that cello was.
However, since this is for tracking, I recommed you do almost exactly what I did - record up close, as whoever's mastering the thing will likely add their own reverb. Adding reverb is easy, but taking it away is probably impossible.